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Today's Stichomancy for Kelly Hu

The first excerpt represents the past or something you must release, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

penetrated his obdurate wits. He rose at once, and said if that was the way he was going to be spoke to, he reckoned he would quit. And, no one interposing, he departed.

So far, so good. But we had no firewood. The next afternoon, I strolled down to Rufe's and consulted him on the subject. It was a very droll interview, in the large, bare north room of the Silverado Hotel, Mrs. Hanson's patchwork on a frame, and Rufe, and his wife, and I, and the oaf himself, all more or less embarrassed. Rufe announced there was nobody in the neighbourhood but Irvine who could do a day's work for anybody. Irvine, thereupon, refused to have any

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis:

He sat down on the school-house step, which the boys had hacked and whittled rough, and waited; for he was there by appointment, to meet Dr. Knowles.

Knowles had gone out early in the morning to look at the ground he was going to buy for his Phalanstery, or whatever he chose to call it. He was to bring the deed of sale of the mill out with him for Holmes. The next day it was to be signed. Holmes saw him at last lumbering across the prairie, wiping the perspiration from his forehead. Summer or winter, he contrived to be always hot. There was a cart drawn by an old donkey coming along beside him. Knowles was talking to the driver. The old man clapped his


Margret Howth: A Story of To-day
The third excerpt represents the future or something you must embrace, and is drawn from Call of Cthulhu by H. P. Lovecraft:

scattered about that his genius is indeed profound and authentic. He will, I believe, some time be heard from as one of the great decadents; for he has crystallised in clay and will one day mirror in marble those nightmares and phantasies which Arthur Machen evokes in prose, and Clark Ashton Smith makes visible in verse and in painting. Dark, frail, and somewhat unkempt in aspect, he turned languidly at my knock and asked me my business without rising. Then I told him who I was, he displayed some interest; for my uncle had excited his curiosity in probing his strange dreams, yet had never explained the reason for the study. I did


Call of Cthulhu