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Today's Stichomancy for Kelsey Grammer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Common Sense by Thomas Paine:

the cause of more calamities to this continent, than all the other three.

It is the good fortune of many to live distant from the scene of sorrow; the evil is not sufficient brought to their doors to make THEM feel the precariousness with which all American property is possessed. But let our imaginations transport us far a few moments to Boston, that seat of wretchedness will teach us wisdom, and instruct us for ever to renounce a power in whom we can have no trust. The inhabitants of that unfortunate city, who but a few months ago were in ease and affluence, have now, no other alternative than to stay and starve, or turn and beg. Endangered by the fire of their friends if they continue within the city, and plundered


Common Sense
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

unfair--it is certain that the idea of "punishment" and "the obligation to punish" are then painful and alarming to people. "Is it not sufficient if the criminal be rendered HARMLESS? Why should we still punish? Punishment itself is terrible!"--with these questions gregarious morality, the morality of fear, draws its ultimate conclusion. If one could at all do away with danger, the cause of fear, one would have done away with this morality at the same time, it would no longer be necessary, it WOULD NOT CONSIDER ITSELF any longer necessary!--Whoever examines the conscience of the present-day European, will always elicit the same imperative from its thousand moral folds and hidden


Beyond Good and Evil
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tanach:

Genesis 36: 2 Esau took his wives of the daughters of Canaan; Adah the daughter of Elon the Hittite, and Oholibamah the daughter of Anah, the daughter of Zibeon the Hivite,

Genesis 36: 3 and Basemath Ishmael's daughter, sister of Nebaioth.

Genesis 36: 4 And Adah bore to Esau Eliphaz; and Basemath bore Reuel;

Genesis 36: 5 and Oholibamah bore Jeush, and Jalam, and Korah. These are the sons of Esau, that were born unto him in the land of Canaan.

Genesis 36: 6 And Esau took his wives, and his sons, and his daughters, and all the souls of his house, and his cattle, and all his beasts, and all his possessions, which he had gathered in the land of Canaan; and went into a land away from his brother Jacob.

Genesis 36: 7 For their substance was too great for them to dwell together; and the land of their sojournings could not bear them because of their cattle.

Genesis 36: 8 And Esau dwelt in the mountain-land of Seir--Esau is Edom.

Genesis 36: 9 And these are the generations of Esau the father of a the Edomites in the mountain-land of Seir.

Genesis 36: 10 These are the names of Esau's sons: Eliphaz the son of Adah the wife of Esau, Reuel the son of Basemath the wife of Esau.

Genesis 36: 11 And the sons of Eliphaz were Teman, Omar, Zepho, and Gatam, and Kenaz.


The Tanach
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lair of the White Worm by Bram Stoker:

various rocky excrescences were groups of trees of various sizes and heights, amongst some of which were what, in the early morning light, looked like ruins. These--whatever they were--were of massive grey stone, probably limestone rudely cut--if indeed they were not shaped naturally. The fall of the ground was steep all along the ridge, so steep that here and there both trees and rocks and buildings seemed to overhang the plain far below, through which ran many streams.

Sir Nathaniel stopped and looked around, as though to lose nothing of the effect. The sun had climbed the eastern sky and was making all details clear. He pointed with a sweeping gesture, as though


Lair of the White Worm