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Today's Stichomancy for Ken Nordine

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

Perils his soul and body in the theft And dies for his small sin. From what strange clay We men are moulded!

GUIDO. Why do you speak like this?

SIMONE. I wonder, my Lord Guido, if my sword Is better tempered than this steel of yours? Shall we make trial? Or is my state too low For you to cross your rapier against mine, In jest, or earnest?

GUIDO. Naught would please me better Than to stand fronting you with naked blade

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Chronicles of the Canongate by Walter Scott:

estates became vested in the only surviving child of the ancient house of Bethune Baliol. My intimacy was formed with the excellent lady after this event, and when she was already something advanced in age.

She inhabited, when in Edinburgh, where she regularly spent the winter season, one of those old hotels which, till of late, were to be found in the neighbourhood of the Canongate and of the Palace of Holyrood House, and which, separated from the street, now dirty and vulgar, by paved courts and gardens of some extent, made amends for an indifferent access, by showing something of aristocratic state and seclusion when you were once admitted

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Land of Footprints by Stewart Edward White:

them occasionally slipping from bush to bush. Finally B. knelt and levelled his rifle. At once I turned my glasses on the buck. Before the sound of the rifle had reached me, I saw him start convulsively, then make off at the tearing run that indicates a heart hit. A moment later the crack of the rifle and the dull plunk of the hitting bullet struck my ear.

We tracked him fifty yards to where he lay dead. He was a fine trophy, and we at once set the boys to preparing it and taking the meat. In the meantime we sauntered down to look at the stream. It was a small rapid affair, but in heavy papyrus, with sparse trees, and occasional thickets, and dry hard banks. The

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Psychology of Revolution by Gustave le Bon:

having any idea of the contents of the latter, and would have been greatly embarrassed had it been asked at a later date why it overthrew Louis-Philippe.

Deceived by appearances, many authors, from Michelet to Aulard, have supposed that the people effected our great Revolution.

``The principal actor,'' said Michelet, ``is the people.''

``It is an error to say,'' writes M. Aulard, ``that the French Revolution was effected by a few distinguished people or a few heroes. . . . I believe that in the whole history of the period included between 1789 and 1799 not a single person stands out who led or shaped events: neither Louis XVI. nor Mirabeau nor Danton