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Today's Stichomancy for Ken Nordine

The first excerpt represents the past or something you must release, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

Froggy: "I've heard a lot about you since you wore braids" "Wasn't it funny this afternoon" Both stopped. Isabelle turned to Amory shyly. Her face was always enough answer for any one, but she decided to speak. "Howfrom whom?" "From everybodyfor all the years since you've been away." She blushed appropriately. On her right Froggy was hors de combat already, although he hadn't quite realized it. "I'll tell you what I remembered about you all these years," Amory continued. She leaned slightly toward him and looked


This Side of Paradise
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Light of Western Stars by Zane Grey:

"What, for instance?"

"For one thing, I can't stand for the way men let other men treat women."

"But, Stewart, this is strange talk from you, who, that night I came--"

She broke off, sorry that she had spoken. His shame was not pleasant to see. Suddenly he lifted his head, and she felt scorched by flaming eyes.

"Suppose I was drunk. Suppose I had met some ordinary girl. Suppose I had really made her marry me. Don't you think I would have stopped being a drunkard and have been good to her?"


The Light of Western Stars
The third excerpt represents the future or something you must embrace, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

money which was in the desk, a generous fear put an end to the chill ferment of her nightmare. She sprang terrified, and in her night-gown, into the very centre of the room to help her husband, whom she supposed to be in the grasp of assassins.

"Birotteau! Birotteau!" she cried at last in a voice full of anguish.

She then saw the perfumer in the middle of the next room, a yard-stick in his hand measuring the air, and so ill wrapped up in his green cotton dressing-gown with chocolate-colored spots that the cold had reddened his legs without his feeling it, preoccupied as he was. When Cesar turned about to say to his wife, "Well, what do you want, Constance?" his air and manner, like those of a man absorbed in


Rise and Fall of Cesar Birotteau