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Today's Stichomancy for Kid Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Ruling Passion by Henry van Dyke:

for the night. He set the dial on the machine, put a few drops of oil on the bearings of the cylinder, and started to wind up the weight.

It rose a few inches, gave a dull click, and then stopped dead. He tugged a little harder, but it would not move. Then he tried to let it down. He pushed at the lever that set the clockwork in motion.

He might as well have tried to make the island turn around by pushing at one of the little spruce trees that clung to the rock.

Then it dawned fearfully upon him that something must be wrong. Trembling with anxiety, he climbed up and peered in among the wheels.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

object between the colters remained undisturbed."

"And what did Mikhayeff say?"

"He said nothing--except when, on seeing me, he gave me the holy-day salutation, after which he went on his way singing and ploughing as before. I did not say anything to him, but, on approaching the other moujiks, I found that they were laughing and making sport of their silent companion. 'It is a great sin to plough on Easter Monday,' they said. 'You could not get absolution from your sin if you were to pray all your life.'"

"And did Mikhayeff make no reply?"

"He stood long enough to say: 'There should be peace on earth and


The Kreutzer Sonata
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Professor by Charlotte Bronte:

affianced as I am to you, I would give no man false hopes; believe me, dear friend." Still Pelet uttered murmurs of distrust--so I judged, at least, from her reply.

"What folly! How could I prefer an unknown foreigner to you? And then--not to flatter your vanity--Crimsworth could not bear comparison with you either physically or mentally; he is not a handsome man at all; some may call him gentleman-like and intelligent-looking, but for my part--"

The rest of the sentence was lost in the distance, as the pair, rising from the chair in which they had been seated, moved away. I waited their return, but soon the opening and shutting of a


The Professor
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Ball at Sceaux by Honore de Balzac:

Fontaine, a prey to the most violent struggle that can torture the heart of a young girl, reaped the richest harvest of anguish that prejudice and narrow-mindedness ever sowed in a human soul. Her face, but just now fresh and velvety, was streaked with yellow lines and red patches; the paleness of her cheeks seemed every now and then to turn green. Hoping to hide her despair from her sisters, she would laugh as she pointed out some ridiculous dress or passer-by; but her laughter was spasmodic. She was more deeply hurt by their unspoken compassion than by any satirical comments for which she might have revenged herself. She exhausted her wit in trying to engage them in a conversation, in which she tried to expend her fury in senseless