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Today's Stichomancy for Kid Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ballads by Robert Louis Stevenson:

To him came Tamatea, the basket slung in his hand, And paid him the due obeisance standing as vassals stand. In silence hearkened the king, and closed the eyes in his face, Harbouring odious thoughts and the baseless fears of the base; In silence accepted the gift and sent the giver away. So Tamatea departed, turning his back on the day.

And lo! as the king sat brooding, a rumour rose in the crowd; The yottowas nudged and whispered, the commons murmured aloud; Tittering fell upon all at sight of the impudent thing, At the sight of a gift unroyal flung in the face of a king. And the face of the king turned white and red with anger and shame


Ballads
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Agesilaus by Xenophon:

which the law regards as criminal. And as a matter of act Agesilaus judged it not only wrong to forgo repayment of a deed of kindness, but, where the means were ample, wrong also not to repay such debts with ample interest.

[1] See Muller and Donaldson, "Hist. Gk. Lit." ii. 196, note 2.

[2] Or, "a state of indebtedness beyond the reach of a tribunal." See "Cyrop." I. ii. 7.

The charge of embezzlement, could it be alleged, would no less outrage all reason in the case of one who made over to his country the benefit in full of grateful offerings owed solely to himself. Indeed the very fact that, when he wished to help the city or his friends with money,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Rescue by Joseph Conrad:

the chair. There was a moment of silence. The measured footsteps of two men pacing athwart the quarter-deck of the dead ship Emma commanded by the derelict shade of Jorgenson could be heard outside.

Jorgenson, on taking up his dead command, had a house of thin boards built on the after deck for his own accommodation and that of Lingard during his flying visits to the Shore of Refuge. A narrow passage divided it in two and Lingard's side was furnished with a camp bedstead, a rough desk, and a rattan armchair. On one of his visits Lingard had brought with him a black seaman's chest and left it there. Apart from these objects and a small


The Rescue
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from La Grande Breteche by Honore de Balzac:

in the early days of his stay here, Monsieur Feredia had one of ebony and silver which I never saw later.--And now, monsieur, do not you say that I need have no remorse about the Spaniard's fifteen thousand francs? Are they not really and truly mine?'

" 'Certainly.--But have you never tried to question Rosalie?' said I.

" 'Oh, to be sure I have, sir. But what is to be done? That girl is like a wall. She knows something, but it is impossible to make her talk.'

"After chatting with me for a few minutes, my hostess left me a prey to vague and sinister thoughts, to romantic curiosity, and a religious dread, not unlike the deep emotion which comes upon us when we go into


La Grande Breteche