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Today's Stichomancy for Kirk Douglas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

trotting about. Now don't you go a mite faster than we proceed with this bag an' basket. Johnny, there, 'll fetch up the haddock. I just made one stop to underrun William's trawl till I come to jes' such a fish's I thought you'd want to make one o' your nice chowders of. I've brought an onion with me that was layin' about on the window-sill at home."

"That's just what I was wantin'," said the hostess. "I give a sigh when you spoke o' chowder, knowin' my onions was out. William forgot to replenish us last time he was to the Landin'. Don't you haste so yourself Almiry, up this risin' ground. I hear you commencin' to wheeze a'ready."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Twelve Stories and a Dream by H. G. Wells:

I know I found myself in my office, with my letters all slit open in front of me, and how I was struck by the absurdity of being there, seeing that in reality I was sitting, stunned, in that Paestum temple with a dead woman in my arms. I read my letters like a machine. I have forgotten what they were about."

He stopped, and there was a long silence.

Suddenly I perceived that we were running down the incline from Chalk Farm to Euston. I started at this passing of time. I turned on him with a brutal question, with the tone of Now or never.

"And did you dream again?"

"Yes."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Little Rivers by Henry van Dyke:

Some of my happiest meanderings in Scotland have been taken under the lead of a book. Indeed, for travel in a strange country there can be no better courier. Not a guide-book, I mean, but a real book, and, by preference, a novel.

Fiction, like wine, tastes best in the place where it was grown. And the scenery of a foreign land (including architecture, which is artificial landscape) grows less dreamlike and unreal to our perception when we people it with familiar characters from our favourite novels. Even on a first journey we feel ourselves among old friends. Thus to read Romola in Florence, and Les Miserables in Paris, and Lorna Doone on Exmoor, and The Heart of Midlothian

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Death of the Lion by Henry James:

found. Push enquiries." I did laugh, I'm sure, as I remembered this to be the mystic scroll I had scarcely allowed poor Mr. Morrow to point his umbrella at. Fool that I had been: the thirty-seven influential journals wouldn't have destroyed it, they'd only have printed it. Of course I said nothing to Paraday.

When the nurse arrived she turned me out of the room, on which I went downstairs. I should premise that at breakfast the news that our brilliant friend was doing well excited universal complacency, and the Princess graciously remarked that he was only to be commiserated for missing the society of Miss Collop. Mrs. Wimbush, whose social gift never shone brighter than in the dry decorum with