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Today's Stichomancy for Kirk Douglas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dead Souls by Nikolai Vasilievich Gogol:

The latter proved indeed a man of spells, for no sooner had he learnt what was afoot than he summoned a brisk young constable, whispered in his ear, adding laconically, "You understand, do you not?" and brought it about that, during the time that the guests were cutting for partners at whist in an adjoining room, the dining-table became laden with sturgeon, caviare, salmon, herrings, cheese, smoked tongue, fresh roe, and a potted variety of the same--all procured from the local fish market, and reinforced with additions from the host's own kitchen. The fact was that the worthy Chief of Police filled the office of a sort of father and general benefactor to the town, and that he moved among the citizens as though they constituted part and


Dead Souls
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sesame and Lilies by John Ruskin:

author has something to say which he perceives to be true and useful, or helpfully beautiful. So far as he knows, no one has yet said it; so far as he knows, no one else can say it. He is bound to say it, clearly and melodiously if he may; clearly at all events. In the sum of his life he finds this to be the thing, or group of things, manifest to him;--this, the piece of true knowledge, or sight, which his share of sunshine and earth has permitted him to seize. He would fain set it down for ever; engrave it on rock, if he could; saying, "This is the best of me; for the rest, I ate, and drank, and slept, loved, and hated, like another; my life was as the vapour, and is not; but this I saw and knew: this, if anything of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Voyage to Arcturus by David Lindsay:

underneath the surface.

Maskull addressed him. "Did the drumming come from you?"

The man shook his head.

"What is your name?"

He replied in a strange, strained, twisted voice. Maskull gathered that the name he gave was "Dreamsinter."

"What is that drumming?"

"Surtur," said Dreamsinter.

"Is it advisable for me to follow it?"

"Why?"

"Perhaps he intends me to. He brought me here from Earth."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Land of Footprints by Stewart Edward White:

following with dogs any large animal that can be captured with reasonable certainty without them. The sport of coursing is another matter; but that is quite the same in essence whatever the size of the quarry. If you want to kill a lion or so quite safely, and at the same time enjoy a glorious and exciting gallop with lots of accompanying row, by all means follow the sport with hounds. But having killed one or two by that method, quit. Do not go on and clean up the country. You can do it. Poison and hounds are the SURE methods of finding any lion there may be about; and AFTER THE FIRST FEW, one is about as justifiable as the other. If you want the undoubtedly great joy of cross country pursuit, send