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Today's Stichomancy for Kirk Douglas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fairy Tales by Hans Christian Andersen:

and utter such high natural tones. For this they have covered you over--they never do the like to me; for I cost more. Besides, they are afraid of my beak; and I have always a witty answer at hand. Come, let us be men!"

"O warm spicy land of my birth," sang the Canary bird; "I will sing of thy dark-green bowers, of the calm bays where the pendent boughs kiss the surface of the water; I will sing of the rejoicing of all my brothers and sisters where the cactus grows in wanton luxuriance."

"Spare us your elegiac tones," said the Parrot giggling. "Rather speak of something at which one may laugh heartily. Laughing is an infallible sign of the highest degree of mental development. Can a dog, or a horse laugh? No, but they can cry. The gift of laughing was given to man alone. Ha! ha! ha!"


Fairy Tales
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

for the opening, grasped the top of the wall and clambered out upon the roof, dropping instantly to the ground at the rear of the hut.

When the Arabs finally mustered courage to enter the hut, after firing several volleys through the walls, they found the interior deserted. At the same time Tarzan, at the far end of the village, sought for Chulk; but the ape was nowhere to be found.

Robbed of his she, deserted by his companions, and as much in ignorance as ever as to the whereabouts of his pouch and pebbles, it was an angry Tarzan who climbed


Tarzan and the Jewels of Opar
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dream Life and Real Life by Olive Schreiner:

She listened to every word, and they talked on.

Afterwards, the little Bushman, who crouched over the fire, sat up suddenly, listening.

"Ha! what is that?" he said.

A Bushman is like a dog: his ear is so fine he knows a jackal's tread from a wild dog's.

"I heard nothing," said the navvy.

"I heard," said the Hottentot; "but it was only a cony on the rocks."

"No cony, no cony," said the Bushman; "see, what is that there moving in the shade round the point?"

"Nothing, you idiot!" said the navvy. "Finish your meat; we must start

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

"Ages ago," he commenced, "our bodies were larger and our heads smaller. Our legs were very weak and we could not travel fast or far. There was a stupid creature that went upon four legs. It lived in a hole in the ground, to which it brought its food, so we ran our burrows into this hole and ate the food it brought; but it did not bring enough for all--for itself and all the kaldanes that lived upon it, so we had also to go abroad and get food. This was hard work for our weak legs. Then it was that we commenced to ride upon the backs of these primitive rykors. It took many ages, undoubtedly, but at last came the time when the kaldane had found means to guide the rykor, until presently the


The Chessmen of Mars