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Today's Stichomancy for Kirk Douglas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pivot of Civilization by Margaret Sanger:

of sexual activity is procreation; it also denies that sex should be reduced to the level of sensual lust, or that woman should permit herself to be the instrument of its satisfaction. In increasing and differentiating her love demands, woman must elevate sex into another sphere, whereby it may subserve and enhance the possibility of individual and human expression. Man will gain in this no less than woman; for in the age-old enslavement of woman he has enslaved himself; and in the liberation of womankind, all of humanity will experience the joys of a new and fuller freedom.

On this great fundamental and pivotal point new light has been thrown by Lord Bertrand Dawson, the physician of the King of England. In the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Circular Staircase by Mary Roberts Rinehart:

metallic sound, and it reverberated along the empty halls like the crash of doom. It was for all the world as if something heavy, perhaps a piece of steel, had rolled clattering and jangling down the hard-wood stairs leading to the card-room.

In the silence that followed Liddy stirred and snored again. I was exasperated: first she kept me awake by silly alarms, then when she was needed she slept like Joe Jefferson, or Rip,--they are always the same to me. I went in and aroused her, and I give her credit for being wide awake the minute I spoke.

"Get up," I said, "if you don't want to be murdered in your bed."

"Where? How?" she yelled vociferously, and jumped up.


The Circular Staircase
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson:

will venture to call him the best of humorous poets. He turns about in the midst to utter a noble sentiment or a trenchant remark on human life, and the style changes and rises to the occasion. I think it is Principal Shairp who says, happily, that Burns would have been no Scotchman if he had not loved to moralise; neither, may we add, would he have been his father's son; but (what is worthy of note) his moralisings are to a large extent the moral of his own career. He was among the least impersonal of artists. Except in the JOLLY BEGGARS, he shows no gleam of dramatic instinct. Mr. Carlyle has complained that TAM O' SHANTER is,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

but reliance is placed thereon in the hope that the machine may happen to be within the cone of dispersion when the shell bursts, and that one or more of the pieces of projectile and bullets may chance to penetrate either the body of the airman or a vital part of the mechanism.

It is this uncertainty which has led to a preference for a direct missile such as the bullet discharged from a machine gun. A stream of missiles, even of rifle calibre, maintained at the rate of some 400 shots per minute is certain to be more effective, provided range and aim are correct, than shrapnel. But the ordinary rifle-bullet, unless the objective is within very close