| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mother by Owen Wister: silent. 'Richard,' she finally began, 'if I had had the naming of these
things, I should never have called them securities. Insecurities comes a
great deal nearer what they are. What right has a thing that says on its
face it is worth a thousand dollars to go bobbing up and down in the way
most of them do? I think that securities is almost sarcastic. And have
you noticed the price of those Petunias?'"
"I had, of course, noticed it; but I had not mentioned it to Ethel. 'I
read the papers now,' she explained, 'morning and evening. Of course the
market is off a little on account of the bank statement. But that is not
enough to account for the Petunias.'"
"'Ethel, you are nervous,' I said. 'And it is the papers which make you
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Royalty Restored/London Under Charles II by J. Fitzgerald Molloy: revelation of this wicked scheme the country became wildly
excited, and the king grievously afflicted. A melancholy seized
upon his majesty, who stirred not abroad without double guards;
and the private doors of Whitehall and avenues of the park were
closed.
From this condition, however, he gradually recovered, and resumed
his usual habits. Accordingly, we find him engaged in "luxurious
dalliance and prophaneness" with the Duchess of Mazarine, and
visiting the Duchess of Portsmouth betimes in her chamber, where
that bold and voluptuous woman, fresh risen from bed, sat in
loose garments talking to the king and his gallants, the while
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Agesilaus by Xenophon: evildoers;[10] or, on a change of quarters, if aware of little
children left behind by the dealers (since the men often sold them in
the belief that it would be impossible to carry them away and rear
them), he would show concern in behalf of these poor waifs and have
them conveyed to some place of safety; or he would entrust them to the
care of fellow-prisoners also left behind on account of old age; in no
case must they be left to ravening dogs and wolves. In this way he won
the goodwill not only of those who heard tell of these doings but of
the prisoners themselves. And whenever he brought over a city to his
side, he set the citizens free from the harsher service of a bondsman
to his lord, imposing the gentler obedience of a freeman to his ruler.
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Animal Farm by George Orwell: used as his study a shed which had once been used for incubators and had a
smooth wooden floor, suitable for drawing on. He was closeted there for
hours at a time. With his books held open by a stone, and with a piece of
chalk gripped between the knuckles of his trotter, he would move rapidly
to and fro, drawing in line after line and uttering little whimpers of
excitement. Gradually the plans grew into a complicated mass of cranks and
cog-wheels, covering more than half the floor, which the other animals
found completely unintelligible but very impressive. All of them came to
look at Snowball's drawings at least once a day. Even the hens and ducks
came, and were at pains not to tread on the chalk marks. Only Napoleon
held aloof. He had declared himself against the windmill from the start.
 Animal Farm |