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Today's Stichomancy for Kurt Cobain

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Heritage of the Desert by Zane Grey:

Silvermane snorted defiance from the cedar corral next morning when the Naabs, and Indians, and Hare appeared. A half-naked sinewy Navajo with a face as changeless as a bronze mask sat astride August's blindfolded roan, Charger. He rode bareback except for a blanket strapped upon the horse; he carried only a long, thick halter, with a loop and a knot. When August opened the improvised gate, with its sharp bayonet-like branches of cedar, the Indian rode into the corral. The watchers climbed to the knoll. Silvermane snorted a blast of fear and anger. August's huge roan showed uneasiness; he stamped, and shook his head, as if to rid himself of the blinders.

Into the farthest corner of densely packed cedar boughs Silvermane


The Heritage of the Desert
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Middlemarch by George Eliot:

of debt except on a magnificent scale. Doubtless they were sordid; and for the majority, who are not lofty, there is no escape from sordidness but by being free from money-craving, with all its base hopes and temptations, its watching for death, its hinted requests. its horse-dealer's desire to make bad work pass for good, its seeking for function which ought to be another's, its compulsion often to long for Luck in the shape of a wide calamity.

It was because Lydgate writhed under the idea of getting his neck beneath this vile yoke that he had fallen into a bitter moody state which was continually widening Rosamond's alienation from him. After the first disclosure about the bill of sale, he had made


Middlemarch
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Message by Honore de Balzac:

rules of etiquette and good taste which wither the most generous emotions.

"M. le Comte," I said with an air of mystery, "I should like a few words with you," and I fell back a pace or two.

He followed my example. Juliette left us together, going away unconcernedly, like a wife who knew that she can learn her husband's secrets as soon as she chooses to know them.

I told the Count briefly of the death of my traveling companion. The effect produced by my news convinced me that his affection for his young collaborator was cordial enough, and this emboldened me to make reply as I did.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

of the unseen hunters more than by fear of Numa. If they were stranger blacks the spears that they held in readiness for Numa might as readily be loosed upon whomever dared release their bait as upon the prey they sought thus to trap. Again the kid struggled to be free. Again his piteous wail touched the tender heart strings of the girl. Tossing discretion aside, she commenced to circle the clearing. Only from Numa did she attempt to conceal her presence. At last she reached the opposite trees. An instant she paused to look toward the great lion, and at the same moment she saw the huge beast rise slowly to his full height. A low roar betokened that he was ready.


The Son of Tarzan