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Today's Stichomancy for Kurt Cobain

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Madam How and Lady Why by Charles Kingsley:

lakes, and waterfalls, and curtains and festoons of stalactite which have dripped from the roof, and pillars of stalagmite which have been built up on the floor below. These stalactites (those tell me who have seen them) are among the most beautiful of all Madam How's work; sometimes like branches of roses or of grapes; sometimes like statues; sometimes like delicate curtains, and I know not what other beautiful shapes. I have never seen them, I am sorry to say, and therefore I cannot describe them. But they are all made in the same way; just in the same way as those little straight stalactites which you may have seen hanging, like icicles, in vaulted cellars, or under the arches of a bridge. The

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Importance of Being Earnest by Oscar Wilde:

your taking in a sweet, simple, innocent girl like that is quite inexcusable. To say nothing of the fact that she is my ward.

ALGERNON. I can see no possible defence at all for your deceiving a brilliant, clever, thoroughly experienced young lady like Miss Fairfax. To say nothing of the fact that she is my cousin.

JACK. I wanted to be engaged to Gwendolen, that is all. I love her.

ALGERNON. Well, I simply wanted to be engaged to Cecily. I adore her.

JACK. There is certainly no chance of your marrying Miss Cardew.

ALGERNON. I don't think there is much likelihood, Jack, of you and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Unsocial Socialist by George Bernard Shaw:

have been conveyed along it. I remember my grandfather well. He was a well-bred man, and a perfect gentleman in his manners; but, on the whole, I think he was wickeder than my father, who, after all, was caught in the wheels of a vicious system, and had either to spoil others or be spoiled by them. But my grandfather--the old rascal!--was in no such dilemma. Master as he was of his bit of merry England, no man could have enslaved him, and he might at least have lived and let live. My father followed his example in the matter of the deer forest, but that was the climax of his wickedness, whereas it was only the beginning of my grandfather's. Howbeit, whichever bears the palm, there they

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

cards for us. No - I don't know why, and I don't care. But you be at the Incubator to-night at eight o'clock. If you can't shake Johnson, bring him, bless him."

To this day I believe the Sam Forbeses have not recovered from the surprise of my unexpected arrival, my one appearance at dinner in Granger's clothes, and the note on my dresser which informed them the next morning that I had folded my tents like the Arabs and silently stole away. For at half after five Johnson and I, the former as uninquisitive as ever, were on our way through the dust to the station, three miles away, and by four that afternoon we were in Washington. The journey had been uneventful. Johnson


The Man in Lower Ten