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Today's Stichomancy for Kurt Cobain

The first excerpt represents the past or something you must release, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

Clignancourt; it is good form, and we ought to set them an example."

"Here is the programme," said de Marsay, as the cab rattled through the Faubourg Saint-Denis: "You stand up at twenty-five paces, coming nearer, till you are only fifteen apart. You have, each of you, five paces to take and three shots to fire--no more. Whatever happens, that must be the end of it. We load for your antagonist, and his seconds load for you. The weapons were chosen by the four seconds at a gunmaker's. We helped you to a chance, I will promise you; horse pistols are to be the weapons."

For Lucien, life had become a bad dream. He did not care whether he lived or died. The courage of suicide helped him in some sort to carry

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Essays & Lectures by Oscar Wilde:

from sense; in accustoming it to love the things of the imagination for their own sake, and to desire beauty and grace in all things. For he who does not love art in all things does not love it at all, and he who does not need art in all things does not need it at all.

I will not dwell here on what I am sure has delighted you all in our great Gothic cathedrals. I mean how the artist of that time, handicraftsman himself in stone or glass, found the best motives for his art, always ready for his hand and always beautiful, in the daily work of the artificers he saw around him - as in those lovely windows of Chartres - where the dyer dips in the vat and the potter sits at the wheel, and the weaver stands at the loom: real

The third excerpt represents the future or something you must embrace, and is drawn from The Man against the Sky by Edwin Arlington Robinson:

That yours are cloven as no beech's are.

The Voice of Age

She'd look upon us, if she could, As hard as Rhadamanthus would; Yet one may see, -- who sees her face, Her crown of silver and of lace, Her mystical serene address Of age alloyed with loveliness, -- That she would not annihilate The frailest of things animate.

She has opinions of our ways,