Today's Stichomancy for Kurt Cobain

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Arizona Nights by Stewart Edward White:

miles deep of pale green-gold light. A pair of Greasers were ahead of me, but I could see only their outlines, and they didn't seem to interfere any with the scenery. Suddenly a black figure seemed to rise up out of the ground; the Mexican man went down as though he'd been jerked with a string, and the woman screeched. I ran up, pulling my gun. The Mex was flat on his face, his arms stretched out. On the middle of his back knelt my one-armed friend. And that sharp hook was caught neatly under the point of the Mexican's jaw. You bet he lay still.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

'What door?' asked the captain.

'Oh, a house I know of,' returned Herrick.

'But it was a public-house!' cried the clerk--only these were not his words. 'And w'y didn't you take the carpet there instead of trundling in a growler?'

'I didn't want to startle a quiet street,' said the narrator.

'Bad form. And besides, it was a hansom.'

'Well, and what did you do next?' inquired the captain.

'Oh, I went in,' said Herrick.

'The old folks?' asked the captain.

'That's about it,' said the other, chewing a grass.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Unseen World and Other Essays by John Fiske:

overlook. But of this we find nothing in Lessing. With him all is sunny, serene, and pagan. Not the dim aisle of a vast cathedral, but the symmetrical portico of an antique temple, is the worshipping-place into which he would lead us.

But if Lessing's theology must be considered imperfect, it is none the less admirable as far as it goes. With its peculiar doctrines of love and faith, it teaches a morality far higher than any that Puritanism ever dreamed of. And with its theory of development it cuts away every possible logical basis for intolerance. It is this theology to which Lessing has given concrete expression in his immortal poem of "Nathan."

The Unseen World and Other Essays

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

serenely by, and you smile, and you change nothing. You let the brown walls grow dimmer with age; you see the marble-topped tables turning yellow; you leave bare your wooden floor, and you smile, and smile, and smile."

"Fine!" applauded Blackie. "You're on. And here comes Rosie."

Rosie, the radiant, placed on the table cups and saucers of an unbelievable thickness. She set them down on the marble surface with a crash as one who knows well that no mere marble or granite could shatter the solidity of those stout earthenware receptacles. Napkins there