| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Kidnapped Santa Claus by L. Frank Baum: judgment of his little friends he could not avoid a certain amount of
worry, and an anxious look would creep at times into his kind old eyes
as he thought of the disappointment that might await his dear little
children. And the Daemons, who guarded him by turns, one after
another, did not neglect to taunt him with contemptuous words in his
helpless condition.
When Christmas Day dawned the Daemon of Malice was guarding the
prisoner, and his tongue was sharper than that of any of the others.
"The children are waking up, Santa!" he cried. "They are waking up to
find their stockings empty! Ho, ho! How they will quarrel, and wail,
and stamp their feet in anger! Our caves will be full today, old
A Kidnapped Santa Claus |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Crito by Plato: him, or received some other evil at his hands?--you would not say this?
And because we think right to destroy you, do you think that you have any
right to destroy us in return, and your country as far as in you lies?
Will you, O professor of true virtue, pretend that you are justified in
this? Has a philosopher like you failed to discover that our country is
more to be valued and higher and holier far than mother or father or any
ancestor, and more to be regarded in the eyes of the gods and of men of
understanding? also to be soothed, and gently and reverently entreated when
angry, even more than a father, and either to be persuaded, or if not
persuaded, to be obeyed? And when we are punished by her, whether with
imprisonment or stripes, the punishment is to be endured in silence; and if
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Prince of Bohemia by Honore de Balzac: than of the Hotel de Rambouillet. It is a race of the strong rather
than of the sweet; I incline to lay a little debauchery to its charge,
and more than I should wish in brilliant and generous natures; it is
gallantry after the fashion of the Marechal de Richelieu, high spirits
and frolic carried rather too far; perhaps we may see in it the
/outrances/ of another age, the Eighteenth Century pushed to extremes;
it harks back to the Musketeers; it is an exploit stolen from
Champcenetz; nay, such light-hearted inconstancy takes us back to the
festooned and ornate period of the old court of the Valois. In an age
as moral as the present, we are bound to regard audacity of this kind
sternly; still, at the same time that 'cornet of sugar-plums' may
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett: kept time visibly, and sometimes audibly, with her ample foot. I
saw the tears in her eyes sometimes, when I could see beyond the
tears in mine. But at last the songs ended and the time came to
say good-by; it was the end of a great pleasure.
Mrs. Blackett, the dear old lady, opened the door of her
bedroom while Mrs. Todd was tying up the herb bag, and William had
gone down to get the boat ready and to blow the horn for Johnny
Bowden, who had joined a roving boat party who were off the shore
lobstering.
I went to the door of the bedroom, and thought how pleasant it
looked, with its pink-and-white patchwork quilt and the brown
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