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Today's Stichomancy for Kurt Goedel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

applications for it. Yet, to all appearance, he was plain-dealing and easy-natured, his business shrewdness was so well wadded round with fat. He had been an assistant until he took a wretched little shop on the Quai des Augustins two years since, and issued thence on his rounds among journalists, authors, and printers, buying up free copies cheaply, making in such ways some ten or twenty francs daily. Now, he had money saved; he knew instinctively where every man was pressed; he had a keen eye for business. If an author was in difficulties, he would discount a bill given by a publisher at fifteen or twenty per cent; then the next day he would go to the publisher, haggle over the price of some work in demand, and pay him with his own bills instead

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Witch, et. al by Anton Chekhov:

time shuddering in the fitful breeze, lay, a dark blur, on the right of the kitchen gardens; on the left stretched the immense plain. In the distance, where the eye could not distinguish between the sky and the plain, there was a bright gleam of light. A little way off from me sat Savka. With his legs tucked under him like a Turk and his head hanging, he looked pensively at Kutka. Our hooks with live bait on them had long been in the river, and we had nothing left to do but to abandon ourselves to repose, which Savka, who was never exhausted and always rested, loved so much. The glow had not yet quite died away, but the summer night was already enfolding nature in its caressing,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Modeste Mignon by Honore de Balzac:

admit that a young girl who should make herself the handmaid of a man of genius, his equal through comprehension, and should piously worship him till death, like one of those divine figures sketched by the masters on the shutters of their mystic shrines, and who, when Germany lost him, should have retired to some solitude away from men, like the friend of Lord Bolingbroke,--let us admit, I say, that the young girl would have lived forever, inlaid in the glory of the poet as Mary Magdalene in the cross and triumph of our Lord. If that is sublime, what say you to the reverse of the picture? As I am neither Goethe nor Lord Byron, the colossi of poetry and egotism, but simply the author of a few esteemed


Modeste Mignon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

for one of the rocks at the entrance of the tunnel was fired clean into the air, fell within a couple of fathoms of where we lay, and bounded over the edge of the hill, and went pounding down into the next valley. I saw I had rather undercalculated our distance, or over-done the dynamite and powder, which you please.

And presently I saw I had made another slip. The noise of the thing began to die off, shaking the island; the dazzle was over; and yet the night didn't come back the way I expected. For the whole wood was scattered with red coals and brands from the explosion; they were all round me on the flat; some had fallen below in the valley, and some stuck and flared in the tree-tops. I