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Today's Stichomancy for Kurt Vonnegut

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Manon Lescaut by Abbe Prevost:

was necessary that I should have personal communication with Lescaut, in order to arrange our proceedings, I told him to call on me at St. Lazare, and assume the name of my eldest brother, as if he had come to Paris expressly to see me. I postponed till our meeting all mention of the safest and most expeditious course I intended to suggest for our future conduct. The governor informed Tiberge of my wish to see him. This ever-faithful friend had not so entirely lost sight of me as to be ignorant of my present abode, and it is probable that, in his heart, he did not regret the circumstance, from an idea that it might furnish the means of my moral regeneration. He lost no time in paying me

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

growing, but the tree further back. Now, as Keola went toward the tree, he was aware of a young woman who had nothing on her body but a belt of leaves.

"Well!" thought Keola, "they are not very particular about their dress in this part of the country." And he paused, supposing she would observe him and escape; and seeing that she still looked before her, stood and hummed aloud. Up she leaped at the sound. Her face was ashen; she looked this way and that, and her mouth gaped with the terror of her soul. But it was a strange thing that her eyes did not rest upon Keola.

"Good day," said he. "You need not be so frightened; I will not

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dead Souls by Nikolai Vasilievich Gogol:

as once more the water turned the wheel. Chichikov would also walk afield to watch the early tillage operations of the season, and observe how the blackness of a new furrow would make its way across the expanse of green, and how the sower, rhythmically striking his hand against the pannier slung across his breast, would scatter his fistfuls of seed with equal distribution, apportioning not a grain too much to one side or to the other.

In fact, Chichikov went everywhere. He chatted and talked, now with the bailiff, now with a peasant, now with a miller, and inquired into the manner and nature of everything, and sought information as to how an estate was managed, and at what price corn was selling, and what


Dead Souls
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

the mango-swamps, over the long low reaches of sand-grasses and drowned weeds, for more than a hundred miles. From the shell-reefs of Pointe-au-Fer to the shallows of Pelto Bay the dead lie mingled with the high-heaped drift;--from their cypress groves the vultures rise to dispute a share of the feast with the shrieking frigate-birds and squeaking gulls. And as the tremendous tide withdraws its plunging waters, all the pirates of air follow the great white-gleaming retreat: a storm of billowing wings and screaming throats.

And swift in the wake of gull and frigate-bird the Wreckers come, the Spoilers of the dead,--savage skimmers of the