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Today's Stichomancy for Kurt Vonnegut

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lair of the White Worm by Bram Stoker:

Lady Arabella, on her way to Castra Regis. They each had something to say of her, and of what her wishes or intentions were towards Edgar Caswall. Mimi spoke bitterly of her in every aspect. She had not forgotten--and never would--never could--the occasion when, to harm Lilla, the woman had consorted even with the nigger. As a social matter, she was disgusted with her for following up the rich landowner--"throwing herself at his head so shamelessly," was how she expressed it. She was interested to know that the great kite still flew from Caswall's tower. But beyond such matters she did not try to go. The only comment she made was of strongly expressed surprise at her ladyship's "cheek" in ignoring her own criminal


Lair of the White Worm
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Heritage of the Desert by Zane Grey:

"Jack, you can't be too careful. I've wanted to speak tc you about it. Snap will ride in here some day and then--' Dave's pause was not reassuring.

And it was only on the third day after Dave's remark that Hare, riding down the mountain with a deer he had shot, looked out from the trail and saw Snap's cream pinto trotting toward Silver Cup. Beside Snap rode a tall man on a big bay. When Hare reached camp he reported to George and Zeke what he had seen, and learned in reply that Dave had already caught sight of the horsemen, and had gone down to the edge of the cedars. While they were speaking Dave hurriedly ran up the trail.

"It's Snap and Holderness," he called out, sharply "What's Snap doing


The Heritage of the Desert
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Redheaded Outfield by Zane Grey:

eyed the youngster, and threw him a high curve, close in. It grazed Reddie's shirt, but he never moved a hair. Then Wehying, after the manner of many veteran pitchers when trying out a new and menacing batter, drove a straight fast ball at Reddie's head. Reddie ducked, neither too slow nor too quick, just right to show what an eye he had, how hard it was to pitch to. The next was a strike. And on the next he appeared to step and swing in one action. There was a ringing rap, and the ball shot toward right, curving down,


The Redheaded Outfield
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Westward Ho! by Charles Kingsley:

read in old Charlevoix.

"You have told a sad and a noble tale, sir, and told it well; but, though your story was to set forth a perfect husband, it has ended rather by setting forth a perfect wife."

"And if I have forgotten, madam, in praising her to praise him also, have I not done that which would have best pleased his heroical and chivalrous spirit? He, be sure, would have forgotten his own virtue in the light of hers; and he would have wished me, I doubt not, to do the same also. And beside, madam, where ladies are the theme, who has time or heart to cast one thought upon their slaves?" And the Don made one of his deliberate and highly-