| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Long Odds by H. Rider Haggard: the flesh of a blue vilderbeeste I had killed the day before, and after
that she brightened up wonderfully. She could talk Zulu--indeed, it
turned out that she had run away from Zululand in T'Chaka's time--and
she told me that all the people whom I had seen had died of fever. When
they had died the other inhabitants of the kraal had taken the cattle
and gone away, leaving the poor old woman, who was helpless from age and
infirmity, to perish of starvation or disease, as the case might be.
She had been sitting there for three days among the bodies when I found
her. I took her on to the next kraal, and gave the headman a blanket to
look after her, promising him another if I found her well when I came
back. I remember that he was much astonished at my parting with two
Long Odds |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In a German Pension by Katherine Mansfield: for a moment. Would you come with me as far as the railway station and
back?"
"Very well, then, knock on my door when you're ready."
Thus the modern soul and I found ourselves together under the stars.
"What a night!" she said. "Do you know that poem of Sappho about her hands
in the stars...I am curiously sapphic. And this is so remarkable--not only
am I sapphic, I find in all the works of all the greatest writers,
especially in their unedited letters, some touch, some sign of myself--some
resemblance, some part of myself, like a thousand reflections of my own
hands in a dark mirror."
"But what a bother," said I.
|
