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Today's Stichomancy for L. Ron Hubbard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pivot of Civilization by Margaret Sanger:

ideas of sex to its expression as a purely procreative function. Compulsory legislation which would make the inevitably futile attempt to prohibit one of the most beneficent and necessary of human expressions, or regulate it into the channels of preconceived philosophies, would reduce us to the unpleasant days predicted by William Blake, when

``Priests in black gowns will be walking their rounds And binding with briars our joys and desires.''

Eugenics is chiefly valuable in its negative aspects. It is ``negative Eugenics'' that has studied the histories of such families as the Jukeses and the Kallikaks, that has pointed out the network of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Drama on the Seashore by Honore de Balzac:

"Women alone know how to render such impressions," I said. "You would be the despair of a poet, dear soul that I divine so well!"

"The extreme heat of mid-day casts into those three expressions of the infinite an all-powerful color," said Pauline, smiling. "I can here conceive the poesy and the passion of the East."

"And I can perceive its despair."

"Yes," she said, "this dune is a cloister,--a sublime cloister."

We now heard the hurried steps of our guide; he had put on his Sunday clothes. We addressed a few ordinary words to him; he seemed to think that our mood had changed, and with that reserve that comes of misery, he kept silence. Though from time to time we pressed each other's

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tin Woodman of Oz by L. Frank Baum:

found that all his comrades had mysteriously disappeared. But where could they have gone to? The broad plain was all about him and there were neither trees nor bushes that could hide even a rabbit, nor any hole for one to fall into. Yet there he stood, alone.

Surprise had caused him to halt, and with a thoughtful and puzzled expression on his face he looked down at his feet. It startled him anew to discover that he had no feet. He reached out his hands, but he could not see them. He could feel his hands and arms and body; he stamped his feet on the grass and knew they


The Tin Woodman of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Records of a Family of Engineers by Robert Louis Stevenson:

descriptive phrase, when he remarks that Captain Soutar had landed `the small stores and nine casks of oil WITH ALL THE ACTIVITY OF A SMUGGLER.' And it was one thing to land, another to get on board again. I have here a passage from the diary, where it seems to have been touch-and-go. `I landed at Tarbetness, on the eastern side of the point, in a MERE GALE OR BLAST OF WIND from west-south-west, at 2 p.m. It blew so fresh that the captain, in a kind of despair, went off to the ship, leaving myself and the steward ashore. While I was in the light-room, I felt it shaking and waving, not with the tremor of the Bell Rock, but with the WAVING OF A TREE! This