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Today's Stichomancy for L. Ron Hubbard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moon-Face and Other Stories by Jack London:

partly immersing it in the stream. Then he imparted to the pan a deft circular motion that sent the water sluicing in and out through the dirt and gravel. The larger and the lighter particles worked to the surface, and these, by a skilful dipping movement of the pan, he spilled out and over the edge. Occasionally, to expedite matters, he rested the pan and with his fingers raked out the large pebbles and pieces of rock.

The contents of the pan diminished rapidly until only fine dirt and the smallest bits of gravel remained. At this stage he began to work very deliberately and carefully. It was fine washing, and he washed fine and finer, with a keen scrutiny and delicate and fastidious touch. At last the pan seemed empty of everything but water; but with a quick semicircular flirt that sent

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Damaged Goods by Upton Sinclair:

one could have been more careful in his pleasures. If I were to tell you that in all my life I have only had two mistresses, what would you answer to that?"

"I would answer, that a single one would have been sufficient to bring you to me."

"No, sir!" cried George. "It could not have been either of those women." He went on to tell the doctor about his first mistress, and then about Lizette. Finally he told about Henriette, how much he adored her. He could really use such a word--he loved her most tenderly. She was so good--and he had thought himself so lucky!

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dracula by Bram Stoker:

knew to mislead her mother and prevent her from being anxious. I have no doubt she guesses, if she does not know, what need of caution there is.

"We lunched alone, and as we all exerted ourselves to be cheerful, we got, as some kind of reward for our labours, some real cheerfulness amongst us. Then Mrs. Westenra went to lie down, and Lucy was left with me. We went into her boudoir, and till we got there her gaiety remained, for the servants were coming and going.

"As soon as the door was closed, however, the mask fell from her face, and she sank down into a chair with a great sigh, and hid her eyes with her hand. When I saw that her high spirits had failed, I at once took advantage of her


Dracula
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Essays & Lectures by Oscar Wilde:

exercised by the various extremes of climate - in both cases the first appearance of a most valuable form of historical criticism.

To the development of Dialectic, as to God, intervals of time are of no account. From Plato and Aristotle we pass direct to Polybius.

The progress of thought from the philosopher of the Academe to the Arcadian historian may be best illustrated by a comparison of the method by which each of the three writers, whom I have selected as the highest expression of the rationalism of his respective age, attained to his ideal state: for the latter conception may be in a measure regarded as representing the most spiritual principle which