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Today's Stichomancy for L. Ron Hubbard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Father Goriot by Honore de Balzac:

things. I will send round a few sticks; they will last till we can have in some firewood. I burned all the bark fuel you had left, as well as his, poor man, yesterday and during the night. The place is so damp that the water stood in drops on the walls; I could hardly get the room dry. Christophe came in and swept the floor, but the place is like a stable; I had to burn juniper, the smell was something horrible.

"MON DIEU!" said Rastignac. "To think of those daughters of his."

"One moment, if he asks for something to drink, give him this," said the house student, pointing to a large white jar. "If he begins to groan, and the belly feels hot and hard to the touch,


Father Goriot
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Voyage to Arcturus by David Lindsay:

from the mountains themselves. The boat began an ascent of many thousands of feet and, as the cliffs were near, Haunte had to manoeuvre carefully with the rear light in order to keep clear of them. Maskull watched the delicacy of his movements, not without admiration. A long time went by. It grew much colder; the air was damp and drafty. The fog began to deposit something like snow on their persons. Maskull kept sweating with terror, not because of the danger they were in, but because of the cloud banks that continued to envelop them.

They cleared the first line of precipices. Still mounting, but this time with a forward motion, as could be seen by the vapours

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

heart greatly lightened that I set forth again.

I had now an arm free to thrash Modestine, and cruelly I chastised her. If I were to reach the lakeside before dark, she must bestir her little shanks to some tune. Already the sun had gone down into a windy-looking mist; and although there were still a few streaks of gold far off to the east on the hills and the black fir-woods, all was cold and grey about our onward path. An infinity of little country by-roads led hither and thither among the fields. It was the most pointless labyrinth. I could see my destination overhead, or rather the peak that dominates it; but choose as I pleased, the roads always ended by turning away from it, and sneaking back

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

asleep. The old man sighs and scratches himself. . . . Just as the young man had been thirsty for water, he thirsts for speech. His son will soon have been dead a week, and he has not really talked to anybody yet . . . . He wants to talk of it properly, with deliberation. . . . He wants to tell how his son was taken ill, how he suffered, what he said before he died, how he died. . . . He wants to describe the funeral, and how he went to the hospital to get his son's clothes. He still has his daughter Anisya in the country. . . . And he wants to talk about her too. . . . Yes, he has plenty to talk about now. His listener ought to sigh and exclaim and lament. . . . It would be


The Schoolmistress and Other Stories