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Today's Stichomancy for Larry Flynt

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Middlemarch by George Eliot:

where he drew out a small feast of gingerbread for them, and improvised a Punch-and-Judy drama with some private home-made puppets. Here was one oddity. Another was, that in houses where he got friendly, he was given to stretch himself at full length on the rug while he talked, and was apt to be discovered in this attitude by occasional callers for whom such an irregularity was likely to confirm the notions of his dangerously mixed blood and general laxity.

But Will's articles and speeches naturally recommended him in families which the new strictness of party division had marked off on the side of Reform. He was invited to Mr. Bulstrode's; but here he could not lie down on the rug, and Mrs. Bulstrode felt


Middlemarch
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Voyage of the Beagle by Charles Darwin:

been remarked, with much truth, that abruptly conical hills are characteristic of the formation which Humboldt designates as gneiss-granite. Nothing can be more striking than the effect of these huge rounded masses of naked rock rising out of the most luxuriant vegetation.

I was often interested by watching the clouds, which, rolling in from seaward, formed a bank just beneath the highest point of the Corcovado. This mountain, like most others, when thus partly veiled, appeared to rise to a far prouder elevation than its real height of 2300 feet. Mr. Daniell has observed, in his meteorological essays, that a


The Voyage of the Beagle
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Monster Men by Edgar Rice Burroughs:

and into the jungle that lay behind the campong.

As von Horn and Professor Maxon talked together in the laboratory before the upsetting of vat Number Thirteen, a grotesque and horrible creature had slunk from the low shed at the opposite side of the campong until it had crouched at the flimsy door of the building in which the two men conversed. For a while it listened intently, but when von Horn urged the necessity for dispatching certain "terrible, soulless creatures" an expression of intermingled fear and hatred convulsed the hideous features, and like a great grizzly it


The Monster Men
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Seraphita by Honore de Balzac:

should I weep? I see no longer human wretchedness. Here, Good appears in all its majesty. There, beneath us, I hear the supplications and the wailings of that harp of sorrows which vibrates in the hands of captive souls. Here, I listen to the choir of harps harmonious. There, below, is hope, the glorious inception of faith; but here is faith--it reigns, hope realized!"

"You will never love me; I am too imperfect; you disdain me," said the young girl.

"Minna, the violet hidden at the feet of the oak whispers to itself: 'The sun does not love me; he comes not.' The sun says: 'If my rays shine upon her she will perish, poor flower.' Friend of the flower, he


Seraphita