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Today's Stichomancy for Laurence Fishburne

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

of Judas, a sin worse than any the Borgia had ever dreamed of. What happiness could there be for them, when at any moment he might be called upon to carry out the awful prophecy written in his hand? What manner of life would be theirs while Fate still held this fearful fortune in the scales? The marriage must be postponed, at all costs. Of this he was quite resolved. Ardently though he loved the girl, and the mere touch of her fingers, when they sat together, made each nerve of his body thrill with exquisite joy, he recognised none the less clearly where his duty lay, and was fully conscious of the fact that he had no right to marry until he had committed the murder. This done, he could stand before the altar

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Case of the Golden Bullet by Grace Isabel Colbron and Augusta Groner:

comfortable here, my dear Kniepp, I will send our friend Horn in to talk with you. He is bright and jovial and will keep you amused."

The chief chattered on, making a strenuous endeavour to appear quite harmless. But Kniepp, more apt than ever just now to notice the actions of others, saw plainly that his genial host was concealing some excitement. When the latter had gone out the Councillor looked after him, shaking his head. Then his glance fell by chance on the quiet-looking man who had risen at his entrance and had not sat down again.

"Please sit down," he said in a friendly tone, but the other did not move. His grey eyes gazed intently at the man whose fate he was to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Deputy of Arcis by Honore de Balzac:

upon you?"

"That other person is not lost to him; he expects, more than ever, to find her by the help of a very clever seeker, the mother-superior of a convent at Arcis."

"Very good; then why employ the delay in holding him at arm's- length,--a proceeding which will only draw him towards you?"

"My dear moralist, I don't admit your theory in the least. As for Monsieur de Sallenauve, he will be much too busy with his duties in the Chamber to think of me. Besides, he is a man who is full of self- respect; he will be mortified by my manner, which will seem to him both ungrateful and unjust. If I try to put two feet of distance

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

it is a woman; by her fierce revolt against being touched by him when his terror gives way to ardor; by his manly transports of victory; and by the womanly mixture of rapture and horror with which she abandons herself to the passion which has seized on them both, is an experience which it is much better, like the vast majority of us, never to have passed through, than to allow it to play more than a recreative holiday part in our lives. It did not play a very large part in Wagner's own laborious life, and does not occupy more than two scenes of The Ring. Tristan and Isolde, wholly devoted to it, is a poem of destruction and death. The Mastersingers, a work full of health, fun and happiness,