Today's Stichomancy for Laurence Fishburne

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Camille by Alexandre Dumas:

way without a guide in this city of the dead, which has its streets like a city of the living. The keeper called over a gardener, to whom he gave the necessary instructions; the gardener interrupted him, saying: "I know, I know.--It is not difficult to find that grave," he added, turning to me.

"Why?"

"Because it has very different flowers from the others."

"Is it you who look after it?"

"Yes, sir; and I wish all relations took as much trouble about the dead as the young man who gave me my orders."

After several turnings, the gardener stopped and said to me:

Camille

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Myths and Myth-Makers by John Fiske:

nearly every Aryan people. Under the Gellert-form it started in the Panchatantra, a collection of Sanskrit fables; and it has even been discovered in a Chinese work which dates from A. D. 668. Usually the hero is a dog, but sometimes a falcon, an ichneumon, an insect, or even a man. In Egypt it takes the following comical shape: "A Wali once smashed a pot full of herbs which a cook had prepared. The exasperated cook thrashed the well-intentioned but unfortunate Wali within an inch of his life, and when he returned, exhausted with his efforts at belabouring the man, to examine the broken pot, he discovered amongst the herbs a poisonous snake."[4] Now this story of the

Myths and Myth-Makers

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Of The Nature of Things by Lucretius:

Charged with the pungent sulphur, and increased With steaming springs. And such a spot there is Within the walls of Athens, even there On summit of Acropolis, beside Fane of Tritonian Pallas bountiful, Where never cawing crows can wing their course, Not even when smoke the altars with good gifts,- But evermore they flee- yet not from wrath Of Pallas, grieved at that espial old, As poets of the Greeks have sung the tale; But very nature of the place compels.

Of The Nature of Things

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ozma of Oz by L. Frank Baum:

"How very dreadful!" exclaimed Dorothy.

"It is, in-deed," said the machine. "When I found my-self im-pris-oned I shout-ed for help un-til my voice ran down; and then I walked back and forth in this lit-tle room un-til my ac-tion ran down; and then I stood still and thought un-til my thoughts ran down. Af-ter that I re-mem-ber noth-ing un-til you wound me up a-gain."

"It's a very wonderful story," said Dorothy, "and proves that the Land of Ev is really a fairy land, as I thought it was."

"Of course it is," answered the copper man. "I do not sup-pose such a per-fect ma-chine as I am could be made in an-y place but a fair-y land."

"I've never seen one in Kansas," said Dorothy.

Ozma of Oz