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Today's Stichomancy for Laurence Olivier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

gallant cock, that pattern of a husband, a warrior and a fine gentleman, clapping his burnished wings and crowing in the pride and gladness of his heart, --sometimes tearing up the earth with his feet, and then generously calling his ever-hungry family of wives and children to enjoy the rich morsel which he had discovered.

The pedagogue's mouth watered as he looked upon this sumptuous promise of luxurious winter fare. In his devouring mind's eye, he pictured to himself every roasting-pig running about with a pudding in his belly, and an apple in his mouth; the pigeons were snugly put to bed in a comfortable pie, and tucked


The Legend of Sleepy Hollow
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from De Profundis by Oscar Wilde:

he wrote with his finger on the ground as though he did not hear them, and finally, when they pressed him again, looked up and said, 'Let him of you who has never sinned be the first to throw the stone at her.' It was worth while living to have said that.

Like all poetical natures he loved ignorant people. He knew that in the soul of one who is ignorant there is always room for a great idea. But he could not stand stupid people, especially those who are made stupid by education: people who are full of opinions not one of which they even understand, a peculiarly modern type, summed up by Christ when he describes it as the type of one who has the key of knowledge, cannot use it himself, and does not allow other

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Memories and Portraits by Robert Louis Stevenson:

to do so when I ceased to be a student. Thus, by an odd chance, I had the very last of the very best of ALMA MATER; the same thing, I hear (which makes it the more strange), had previously happened to my father; and if they are good and do not die, something not at all unsimilar will be found in time to have befallen my successors of to-day. Of the specific points of change, of advantage in the past, of shortcoming in the present, I must own that, on a near examination, they look wondrous cloudy. The chief and far the most lamentable change is the absence of a certain lean, ugly, idle, unpopular student, whose presence was for me the gist and heart of the whole matter; whose changing humours, fine occasional purposes

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Summer by Edith Wharton:

spreading out before her a pale patch of dead grass and coarse-leaved weeds enclosed in an immensity of blackness.

Mr. Miles took Charity by the arm, and side by side they walked behind the mattress. At length the old woman with the lantern stopped, and Charity saw the light fall on the stooping shoulders of the bearers and on a ridge of upheaved earth over which they were bending. Mr. Miles released her arm and approached the hollow on the other side of the ridge; and while the men stooped down, lowering the mattress into the grave,