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Today's Stichomancy for Laurence Olivier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Whirligigs by O. Henry:

public is to assert that it is true, and then add that Truth is stranger than Fiction. I do not know if the yarn I am anxious for you to read is true; but the Spanish purser of the fruit steamer El Carrero swore to me by the shrine of Santa Guadalupe that he had the facts from the U. S. vice-consul at La Paz - a person who could not possibly have been cognizant of half of them.

As for the adage quoted above, I take pleasure in punc- turing it by affirming that I read in a purely fictional story the other day the line: "'Be it so,' said the police- man." Nothing so strange has yet cropped out in Truth.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On Revenues by Xenophon:

prevent the state from acquiring property in slaves, and safeguarding the property so acquired."

But with reference to an opposite objection which may present itself to the mind of some one: what guarantee is there that, along with the increase in the supply of labourers, there will be a corrsponding demand for their services on the part of contractors?[22] It may be reassuring to note, first of all, that many of those who have already embarked on mining operations[23] will be anxious to increase their staff of labourers by hiring some of these public slaves (remember, they have a large capital at stake;[24] and again, many of the actual labourers now engaged are growing old); and secondly, there are many

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from To the Lighthouse by Virginia Woolf:

It was seasoned and mellow. It was about the desert and the camel. It was about the palm tree and the sunset. It was extremely impersonal; it said something about death; it said very little about love. There was an impersonality about him. He wanted very little of other people. Had he not always lurched rather awkwardly past the drawing-room window with some newspaper under his arm, trying to avoid Mrs Ramsay whom for some reason he did not much like? On that account, of course, she would always try to make him stop. He would bow to her. He would halt unwillingly and bow profoundly. Annoyed that he did not want anything of her, Mrs Ramsay would ask him (Lily could hear her) wouldn't he like a coat, a rug, a newspaper? No, he wanted nothing. (Here he bowed.)


To the Lighthouse
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Troll Garden and Selected Stories by Willa Cather:

with a terrible amount of resistant force, and it took a great deal of alcohol even to move him. After nine years of drinking, the quantities he could take would seem fabulous to an ordinary drinking man. He never let it interfere with his work, he generally drank at night and on Sundays. Every night, as soon as his chores were done, he began to drink. While he was able to sit up he would play on his mouth harp or hack away at his window sills with his jackknife. When the liquor went to his head he would lie down on his bed and stare out of the window until he went to sleep. He drank alone and in solitude not for pleasure or good cheer, but to forget the awful loneliness and level of the Divide. Milton


The Troll Garden and Selected Stories