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Today's Stichomancy for Laurence Olivier

The first excerpt represents the past or something you must release, and is drawn from Alcibiades I by Plato:

unjust?

SOCRATES: No; I did not.

ALCIBIADES: Did I, then?

SOCRATES: Yes.

ALCIBIADES: How was that?

SOCRATES: Let me explain. Suppose I were to ask you which is the greater number, two or one; you would reply 'two'?

ALCIBIADES: I should.

SOCRATES: And by how much greater?

ALCIBIADES: By one.

SOCRATES: Which of us now says that two is more than one?

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson:

man write such a thing and live?"

"Perhaps he lived by writing it," said Kate.

"Perhaps it was the best he could do," added the more literal Harry.

"It certainly was not the best he could do, for he might have died,--died instead of dried. O, I should like to prick that man with something sharp, and see if sawdust did not run out of him! Kate, ask the bookseller to let me know if he ever really dies, and then life may seem fresh again."

"What is it?" asked Kate.

"Somebody's memoirs," said Aunt Jane. "Was there no man left

The third excerpt represents the future or something you must embrace, and is drawn from Whirligigs by O. Henry:

"You see that cocoanut walk extending up to the point?" said the consul, waving his hand toward the open door. "That belongs to Bob Reeves. Henry Morgan owns half the trees to loo'ard on the island."

"One, month ago," said the sheriff, "Wade Williams wrote a confidential letter to a man in Chatham county, telling him where he was and how he was getting along. The letter was lost; and the person that found it gave it away. They sent me after him, and I've got the papers. I reckon he's one of your cocoanut men for certain."

"You've got his picture, of course," said Bridger.