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Today's Stichomancy for Lee Harvey Oswald

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from When the World Shook by H. Rider Haggard:

death, which is fear. That is why he suspended life in himself and me for two hundred and fifty thousand years, as his knowledge gave him strength to do, because death was near and he thought that sleep was better than death."

"Why should he dread to die," asked Bickley, "seeing that sleep and death are the same?"

"Because his knowledge tells him that Sleep and Death are not the same, as you, in your foolishness, believe, for there Bastin is wiser than you. Because for all his wisdom he remains ignorant of what happens to man when the Light of Life is blown out by the breath of Fate. That is why he fears to die and why he talks with


When the World Shook
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Betty Zane by Zane Grey:

knife blade, or an old file, or even a piece of silver. The nail was driven lightly into the stake, the contestants shot at it from a distance as great as the eyesight permitted. To drive the nail hard and fast into the wood at one hundred yards was a feat seldom accomplished. By many hunters it was deemed more difficult than "snuffing the candle," another border pastime, which consisted of placing in the dark at any distance a lighted candle, and then putting out the flame with a single rifle ball. Many settlers, particularly those who handled the plow more than the rifle, sighted from a rest, and placed a piece of moss under the rife-barrel to prevent its spring at the discharge.

The match began. Of the first six shooters Jonathan Zane and Alfred Clarke


Betty Zane
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lady Baltimore by Owen Wister:

deplorable lie."

She opened her mouth under the shock of it, and I recited to her unsparingly my deception; during this recital her mouth gradually closed.

"Well, I declare, declare, declare!" she slowly and deliciously breathed over the sum total; and she considered me at length, silently, before her words came again, like a soft soliloquy. "I could never have believed it in one who"--here gayety flashed in her eyes suddenly--"parts his back hair so rigidly. Oh, I beg your pardon for being personal!" And her gayety broke in ripples. Some habitual instinct moved me to turn to the looking-glass. "Useless!" she cried, "you can't see it in that. But it's perfectly splendid to-day."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Options by O. Henry:

In spite of which The Rose of Dixie kept coming out every month. Although in every issue it ran photos of either the Taj Mahal or the Luxembourg Gardens, or Carmencita or La Follette, a certain number of people bought it and subscribed for it. As a boom for it, Editor- Colonel Telfair ran three different views of Andrew Jackson's old home, "The Hermitage," a full-page engraving of the second battle of Manassas, entitled "Lee to the Rear!" and a five-thousand-word biography of Belle Boyd in the same number. The subscription list that month advanced 118. Also there were poems in the same issue by Leonina Vashti Haricot (pen-name), related to the Haricots of Charleston, South Carolina, and Bill Thompson, nephew of one of the


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