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Today's Stichomancy for Lenny Kravitz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Marriage Contract by Honore de Balzac:

in need I rely on you to pay it back. Remember, however, that I do not leave you to de Marsay, but TO YOURSELF; I do not seek to impose him upon you.

Alas! I have but an hour more to stay beside you; I cannot spend that hour in writing business--I count your breaths; I try to guess your thoughts in the slight motions of your sleep. I would I could infuse my blood into your veins that you might be a part of me, my thought your thought, and your heart mine--A murmur has just escaped your lips as though it were a soft reply. Be calm and beautiful forever as you are now! Ah! would that I possessed that fabulous fairy power which, with a wand, could make you sleep

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Vendetta by Honore de Balzac:

After standing for some time undecided, the tall stranger suddenly passed his hand across his face to brush away, as it were, the thoughts that were ploughing furrows in it. He must have taken some desperate resolution. Casting a glance upon his wife and daughter, he drew a dagger from his breast and gave it to his companion, saying in Italian:--

"I will see if the Bonapartes remember us."

Then he walked with a slow, determined step toward the entrance of the palace, where he was, naturally, stopped by a soldier of the consular guard, with whom he was not permitted a long discussion. Seeing this man's obstinate determination, the sentinel presented his bayonet in

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Story of an African Farm by Olive Schreiner:

great branches broke off. The Kaffers, as they slept in their straw huts, whispered one to another that before morning there would not be an armful of thatch left on the roofs; and the beams of the wagon-house creaked and groaned as if it were heavy work to resist the importunity of the wind.

Em had not gone to bed. Who could sleep on a night like this? So in the dining room she had lighted a fire, and sat on the ground before it, turning the roaster-cakes that lay on the coals to bake. It would save work in the morning; and she blew out the light because the wind through the window-chinks made it flicker and run; and she sat singing to herself as she watched the cakes. They lay at one end of the wide hearth on a bed of coals, and at the other end a fire burnt up steadily, casting its amber

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Betty Zane by Zane Grey:

A slender stream of blood issued from the wound and flowed down his chest

"Wind-of-Death is a great white chief. His gun is always loaded," he said calmly, and a look of pride gleamed across his dark face, as though he gloried in the wound made by such a warrior.

"Deathwind" was one of the many names given to Wetzel by the savages, and a thrill of hope shot through Isaac's heart when he saw the Indians feared Wetzel was on their track. This hope was short lived, however, for when he considered the probabilities of the thing he knew that pursuit would only result in his death before the settlers could come up with the Indians, and he concluded that Wetzel, familiar with every trick of the redmen, would be the first to think of the hopelessness of rescuing him and so would not attempt


Betty Zane