The first excerpt represents the past or something you must release, and is drawn from A Princess of Parms by Edgar Rice Burroughs: convinced that some horrible fate awaited her at the
headquarters of Tal Hajus.
As described by Sola, this monster was the exaggerated
personification of all the ages of cruelty, ferocity, and
brutality from which he had descended. Cold, cunning,
calculating; he was, also, in marked contrast to most of his
fellows, a slave to that brute passion which the waning
demands for procreation upon their dying planet has almost
stilled in the Martian breast.
The thought that the divine Dejah Thoris might fall into
the clutches of such an abysmal atavism started the cold
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Intentions by Oscar Wilde: altars, or smiling, if it be his fancy, at strange new gods. What
other people call one's past has, no doubt, everything to do with
them, but has absolutely nothing to do with oneself. The man who
regards his past is a man who deserves to have no future to look
forward to. When one has found expression for a mood, one has done
with it. You laugh; but believe me it is so. Yesterday it was
Realism that charmed one. One gained from it that NOUVEAU FRISSON
which it was its aim to produce. One analysed it, explained it,
and wearied of it. At sunset came the LUMINISTE in painting, and
the SYMBOLISTE in poetry, and the spirit of mediaevalism, that
spirit which belongs not to time but to temperament, woke suddenly
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The third excerpt represents the future or something you must embrace, and is drawn from King Lear by William Shakespeare: Come hizzing in upon 'em-
Edg. The foul fiend bites my back.
Fool. He's mad that trusts in the tameness of a wolf, a horse's
health, a boy's love, or a whore's oath.
Lear. It shall be done; I will arraign them straight.
[To Edgar] Come, sit thou here, most learned justicer.
[To the Fool] Thou, sapient sir, sit here. Now, you
she-foxes!
Edg. Look, where he stands and glares! Want'st thou eyes at
trial,
madam?
 King Lear |