| The first excerpt represents the past or something you must release, and is drawn from Ivanhoe by Walter Scott: said De Bracy. ``If they abide the shaking of my
standard, or the sight of my Free Companions, I
will give them credit for the boldest outlaws ever
bent bow in green-wood.''
``And who shall bear such a message?'' said
Front-de-Buf; ``they will beset every path, and
rip the errand out of his bosom.---I have it,'' he
added, after pausing for a moment---``Sir Templar,
thou canst write as well as read, and if we can but
find the writing materials of my chaplain, who died
a twelvemonth since in the midst of his Christmas
 Ivanhoe |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Faraday as a Discoverer by John Tyndall: body was similarly suspended, it always set axially, that is, from
pole to pole.
Faraday called those bodies which were repelled by the poles of a
magnet, diamagnetic bodies; using this term in a sense different
from that in which he employed it in his memoir on the magnetization
of light. The term magnetic he reserved for bodies which exhibited
the ordinary attraction. He afterwards employed the term magnetic
to cover the whole phenomena of attraction and repulsion, and used
the word paramagnetic to designate such magnetic action as is
exhibited by iron.
Isolated observations by Brugmanns, Becquerel, Le Baillif, Saigy,
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The third excerpt represents the future or something you must embrace, and is drawn from Sarrasine by Honore de Balzac: "He pointed to the statue with a gesture of despair.
" 'I shall always have in my memory a divine harpy who will bury her
talons in all my manly sentiments, and who will stamp all other women
with a seal of imperfection. Monster! you, who can give life to
nothing, have swept all women off the face of the earth.'
"Sarrasine seated himself in front of the terrified singer. Two great
tears came from his dry eyes, rolled down his swarthy cheeks, and fell
to the floor--two tears of rage, two scalding, burning tears.
" 'An end of love! I am dead to all pleasure, to all human emotions!'
"As he spoke, he seized a hammer and hurled it at the statue with such
excessive force that he missed it. He thought that he had destroyed
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