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Today's Stichomancy for Leo Tolstoy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Facino Cane by Honore de Balzac:

to leave its traces on the grandly-hewn, lividly Italian face. You trembled lest a flash of thought should suddenly light up the deep sightless hollows under the grizzled brows, as you might fear to see brigands with torches and poniards in the mouth of a cavern. You felt that there was a lion in that cage of flesh, a lion spent with useless raging against iron bars. The fires of despair had burned themselves out into ashes, the lava had cooled; but the tracks of the flames, the wreckage, and a little smoke remained to bear witness to the violence of the eruption, the ravages of the fire. These images crowded up at the sight of the clarionet player, till the thoughts now grown cold in his face burned hot within my soul.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from This Side of Paradise by F. Scott Fitzgerald:

"Oh, just sweet, just sweet..." he held her closer. "Amory," she whispered, "when you're ready for me I'll marry you." "We won't have much at first." "Don't!" she cried. "It hurts when you reproach yourself for what you can't give me. I've got your precious selfand that's enough for me." "Tell me..." "You know, don't you? Oh, you know." "Yes, but I want to hear you say it." "I love you, Amory, with all my heart."


This Side of Paradise
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Phoenix and the Turtle by William Shakespeare:

Co-supreme and stars of love; As chorus to their tragic scene.

THRENOS.

Beauty, truth, and rarity. Grace in all simplicity, Here enclos'd in cinders lie.

Death is now the phoenix' nest; And the turtle's loyal breast To eternity doth rest,

Leaving no posterity:-- 'Twas not their infirmity,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Alkahest by Honore de Balzac:

whose fires were fed by chastity imposed by the tyranny of ideas and by the inward consecration of a great intellect. The cavernous eyes seemed to have sunk in their orbits through midnight vigils and the terrible reaction of hopes destroyed, yet ceaselessly reborn. The zealous fanaticism inspired by an art or a science was evident in this man; it betrayed itself in the strange, persistent abstraction of his mind expressed by his dress and bearing, which were in keeping with the anomalous peculiarities of his person.

His large, hairy hands were dirty, and the nails, which were very long, had deep black lines at their extremities. His shoes were not cleaned and the shoe-strings were missing. Of all that Flemish