| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Three Taverns by Edwin Arlington Robinson: In these last days. Rome, if I know the name,
Will have anon a crown of thorns and fire
Made ready for the wreathing of new masters,
Of whom we are appointed, you and I, --
And you are still to be when I am gone,
Should I go presently. Let the word fall,
Meanwhile, upon the dragon-ridden field
Of circumstance, either to live or die;
Concerning which there is a parable,
Made easy for the comfort and attention
Of those who preach, fearing they preach in vain.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Peter Pan by James M. Barrie: natural to Wendy that you could not dismiss it by saying she had
been dreaming.
"My child," the mother cried, "why did you not tell me of this
before?"
"I forgot," said Wendy lightly. She was in a hurry to get her
breakfast.
Oh, surely she must have been dreaming.
But, on the other hand, there were the leaves. Mrs. Darling
examined them very carefully; they were skeleton leaves, but she
was sure they did not come from any tree that grew in England.
She crawled about the floor, peering at it with a candle for
 Peter Pan |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from La Grenadiere by Honore de Balzac: come to the enchanting retreat to give herself up wholly to the joy of
living.
The three masters whose presence was allowed at La Grenadiere spoke
with something like admiring reverence of the touching picture that
they saw there of the close, unclouded intimacy of the life led by
this woman and the children.
The two little boys also aroused no small interest. Mothers could not
see them without a feeling of envy. Both children were like Mme.
Willemsens, who was, in fact, their mother. They had the transparent
complexion and bright color, the clear, liquid eyes, the long lashes,
the fresh outlines, the dazzling characteristics of childish beauty.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce: an even, calm intonation, presaging, and enforcing
tranquility in the men -- with what accurately measured
interval fell those cruel words:
"Company! . . . Attention! . . . Shoulder arms! . . . Ready!
. . . Aim! . . . Fire!"
Fahrquhar dived -- dived as deeply as he could. The water
roared in his ears like the voice of Niagara, yet he heard
the dull thunder of the volley and, rising again toward the
surface, met shining bits of metal, singularly flattened,
oscillating slowly downward. Some of them touched him on the
face and hands, then fell away, continuing their descent.
 An Occurrence at Owl Creek Bridge |