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Today's Stichomancy for Leonard Cohen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Deserted Woman by Honore de Balzac:

heavy burden to you then. I am quite willing to believe that at this moment you would give me your whole life without a regret, you would even be ready to die for a little brief happiness; but at the age of thirty experience will take from you the very power of making daily sacrifices for my sake, and I myself should feel deeply humiliated if I accepted them. A day would come when everything, even Nature, would bid you leave me, and I have already told you that death is preferable to desertion. Misfortune has taught me to calculate; as you see, I am arguing perfectly dispassionately. You force me to tell you that I have no love for you; I ought not to love, I cannot, and I will not. It is too late

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Research Magnificent by H. G. Wells:

sleeplessness, when one is leaving all that one cares for behind, it becomes an irrational torment. . . .

"And it is not only in oneself that I am astonished by the power of this base motive. I see, too, in the queer business of Prothero how strongly jealousy, how strongly the sense of proprietorship, weighs with a man. . . .

"There is no clear reason why one should insist upon another human being being one's ownest own--utterly one's own. . . .

"There is, of course, no clear reason for most human motives. . . .

"One does. . . .

"There is something dishonouring in distrust--to both the distrusted

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Second Home by Honore de Balzac:

daughter, and wait in patience and prayer till God enlightens your husband; unless, indeed, you choose to adopt against him the means offered you by human laws."

The long conversation that ensued between the priest and his penitent resulted in an extraordinary change in the Countess; she abruptly dismissed him, called her servants who were alarmed at her flushed face and crazy energy. She ordered her carriage--countermanded it-- changed her mind twenty times in the hour; but at last, at about three o'clock, as if she had come to some great determination, she went out, leaving the whole household in amazement at such a sudden transformation.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

stooping shoulders and a heavy, bilious countenance, languidly rising to the trot. Esther recognised him at once; she had often seen him before, though with her huge indifference for all that lay outside the circle of her love, she had never so much as wondered who he was; but now she recognised him, and found him ten years older, leaden and springless, and stamped by an abiding sorrow.

'Oh Dick, Dick!' she said, and the tears began to shine upon her face as she hid it in his bosom; his own fell thickly too. They had a sad walk home, and that night, full of love and good counsel, Dick exerted every art to please his