| The first excerpt represents the past or something you must release, and is drawn from Dead Souls by Nikolai Vasilievich Gogol: "Oh, I know that some people think him handsome," continued the
hostess, unmoved; "but _I_ say that he is nothing of the kind--that,
in particular, his nose is perfectly odious."
"Yes, but let me finish what I was saying." The guest's tone was
almost piteous in its appeal.
"What is it, then?"
"You cannot imagine my state of mind! You see, this morning I received
a visit from Father Cyril's wife--the Archpriest's wife--you know
her, don't you? Well, whom do you suppose that fine gentleman visitor
of ours has turned out to be?"
"The man who has built the Archpriest a poultry-run?"
Dead Souls |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Charmides by Plato: Matthew Knight, who has not only favoured me with valuable suggestions
throughout the work, but has largely extended the Index (from 61 to 175
pages) and translated the Eryxias and Second Alcibiades; and to Mr Frank
Fletcher, of Balliol College, my Secretary. I am also considerably
indebted to Mr. J.W. Mackail, late Fellow of Balliol College, who read over
the Republic in the Second Edition and noted several inaccuracies.
In both editions the Introductions to the Dialogues have been enlarged, and
essays on subjects having an affinity to the Platonic Dialogues have been
introduced into several of them. The analyses have been corrected, and
innumerable alterations have been made in the Text. There have been added
also, in the Third Edition, headings to the pages and a marginal analysis
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The third excerpt represents the future or something you must embrace, and is drawn from The White Moll by Frank L. Packard: frightful existence fate had thrust upon her; but, somehow, to-night
she was not so depressed, not so hopeless, as she had been the night
before. There had been a little success; she had come a little
farther along the way; she knew a little more than she had known
before of the inner workings of the gang who were at the bottom of
the crime of which she herself was accused. She knew now the
Adventurer's secret, that the Pug and the Adventurer were one; and
she knew where the Adventurer lived, now in one character, now in
the other, in those two rooms almost opposite each other across
that tenement hall.
And so it seemed that she had the right to hope, even though there
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