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Today's Stichomancy for Leonard Cohen

The first excerpt represents the past or something you must release, and is drawn from The Damnation of Theron Ware by Harold Frederic:

without a moment's delay, getting out his letter-pad, and writing hurriedly--

"Dear Miss Madden,--Life will be more tolerable to me if before nightfall I can know that there is a piano under my roof. Even if it remains dumb, it will be some comfort to have it here and look at it, and imagine how a great master might make it speak.

"Would it be too much to beg you to look in at Thurston's, say at eleven this forenoon, and give me the inestimable benefit of your judgment in selecting an instrument?

"Do not trouble to answer this, for I am leaving home now,


The Damnation of Theron Ware
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Silas Marner by George Eliot:

unknown faces. He handled them, he counted them, till their form and colour were like the satisfaction of a thirst to him; but it was only in the night, when his work was done, that he drew them out to enjoy their companionship. He had taken up some bricks in his floor underneath his loom, and here he had made a hole in which he set the iron pot that contained his guineas and silver coins, covering the bricks with sand whenever he replaced them. Not that the idea of being robbed presented itself often or strongly to his mind: hoarding was common in country districts in those days; there were old labourers in the parish of Raveloe who were known to have their savings by them, probably inside their flock-beds; but their rustic


Silas Marner
The third excerpt represents the future or something you must embrace, and is drawn from Herland by Charlotte Gilman:

thousand-year-old feminine civilization, the word WOMAN called up all that big background, so far as they had gone in social development; and the word MAN meant to them only MALE--the sex.

Of course we could TELL them that in our world men did everything; but that did not alter the background of their minds. That man, "the male," did all these things was to them a statement, making no more change in the point of view than was made in ours when we first faced the astounding fact--to us--that in Herland women were "the world."

We had been living there more than a year. We had learned their limited history, with its straight, smooth, upreaching lines,


Herland