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Today's Stichomancy for Leonardo DiCaprio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Collection of Antiquities by Honore de Balzac:

its grisly spectres and elfish women, centres about the prodigal's last effort made in the after-supper heat of wine, the frantic struggle which ends the drama. Victurnien was living through this infernal poem, and alone. He saw visions of himself--a friendless, solitary outcast, reading the words carved on the stone, the last words on the last page of the book that had held him spellbound--THE END!

Yes; for him all would be at an end, and that soon. Already he saw the cold, ironical eyes which his associates would turn upon him, and their amusement over his downfall. Some of them he knew were playing high on that gambling-table kept open all day long at the Bourse, or

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Letters of Robert Louis Stevenson by Robert Louis Stevenson:

first so ill-united; I confess they seem perfectly so to me. I have chosen to sacrifice a long-projected story of adventure because the sentiment of that is identical with the sentiment of 'My uncle.' My uncle himself is not the story as I see it, only the leading episode of that story. It's really a story of wrecks, as they appear to the dweller on the coast. It's a view of the sea. Goodness knows when I shall be able to re-write; I must first get over this copper-headed cold.

R. L. S.

Letter: TO SIDNEY COLVIN

PITLOCHRY, AUGUST 1881.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Around the World in 80 Days by Jules Verne:

Several had departure signals, and were preparing to put to sea at morning tide; for in this immense and admirable port there is not one day in a hundred that vessels do not set out for every quarter of the globe. But they were mostly sailing vessels, of which, of course, Phileas Fogg could make no use.

He seemed about to give up all hope, when he espied, anchored at the Battery, a cable's length off at most, a trading vessel, with a screw, well-shaped, whose funnel, puffing a cloud of smoke, indicated that she was getting ready for departure.

Phileas Fogg hailed a boat, got into it, and soon found himself on board the Henrietta, iron-hulled, wood-built above. He ascended to the deck,


Around the World in 80 Days
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Democracy In America, Volume 2 by Alexis de Toqueville:

usually contented itself with managing and superintending the community in whatever directly and ostensibly concerned the national honor; but in all other respects the people were left to work out their own free will. Amongst these nations the government often seemed to forget that there is a point at which the faults and the sufferings of private persons involve the general prosperity, and that to prevent the ruin of a private individual must sometimes be a matter of public importance. The democratic nations of our time lean to the opposite extreme. It is evident that most of our rulers will not content themselves with governing the people collectively: it would seem as if they