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Today's Stichomancy for Leonardo DiCaprio

The first excerpt represents the past or something you must release, and is drawn from The Turn of the Screw by Henry James:

She had already got back her gaiety, and appeared to take this as an answer quite sufficient. "And where's Miles?" she went on.

There was something in the small valor of it that quite finished me: these three words from her were, in a flash like the glitter of a drawn blade, the jostle of the cup that my hand, for weeks and weeks, had held high and full to the brim that now, even before speaking, I felt overflow in a deluge. "I'll tell you if you'll tell ME--" I heard myself say, then heard the tremor in which it broke.

"Well, what?"

Mrs. Grose's suspense blazed at me, but it was too late now,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

all this scene of almost unimaginable luxury and splendor. Then, he thought, how soon he 'd turn his back upon the old schoolhouse; snap his fingers in the face of Hans Van Ripper, and every other niggardly patron, and kick any itinerant pedagogue out of doors that should dare to call him comrade!

Old Baltus Van Tassel moved about among his guests with a face dilated with content and goodhumor, round and jolly as the harvest moon. His hospitable attentions were brief, but expressive, being confined to a shake of the hand, a slap on the shoulder, a loud laugh, and a pressing invitation to "fall to, and help themselves."


The Legend of Sleepy Hollow
The third excerpt represents the future or something you must embrace, and is drawn from Polly of the Circus by Margaret Mayo:

you. You ain't been good for nothin' since you was at that parson's house. Yer didn't stay there, and yer no use here. First thing yer know yer'll be out all 'round."

"Out?"

"Sure. Yer don't think I'm goin' ter head my bill with a 'dead one,' do you?"

"I am not a 'dead one,' " she answered, excitedly. "I'm the best rider you've had since mother died. You've said so yourself."

'That was afore yer got in with them church cranks. You talk about yer mother! Why, she'd be ashamed ter own yer."

"She wouldn't," cried Polly. Her eyes were flashing, her face