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Today's Stichomancy for Leonardo da Vinci

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Phaedrus by Plato:

excess. The latter takes many forms and has many bad names--gluttony, drunkenness, and the like. But of all the irrational desires or excesses the greatest is that which is led away by desires of a kindred nature to the enjoyment of personal beauty. And this is the master power of love.

Here Socrates fancies that he detects in himself an unusual flow of eloquence--this newly-found gift he can only attribute to the inspiration of the place, which appears to be dedicated to the nymphs. Starting again from the philosophical basis which has been laid down, he proceeds to show how many advantages the non-lover has over the lover. The one encourages softness and effeminacy and exclusiveness; he cannot endure any superiority in his beloved; he will train him in luxury, he will keep him out of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Gentle Grafter by O. Henry:

with Mr. Peters and Mr. Tucker to look over some iron ore property in West Virginia. He wires J. Smith that he will set foot in the spider web on a given date; and the three of us lights out for Chicago.

"On the way Murkison amuses himself with premonitions and advance pleasant recollections.

"'In a gray suit,' says he, 'on the southwest corner of Wabash avenue and Lake street. He drops the paper, and I ask how the water is. Oh, my, my, my!' And then he laughs all over for five minutes.

"Sometimes Murkison was serious and tried to talk himself out of his cogitations, whatever they was.

"'Boys,' says he, 'I wouldn't have this to get out in Grassdale for

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

of disordered life, the very vileness of thief and outcast, were more vivid, in their intense actuality of impression, than all the gracious shapes of art, the dreamy shadows of song. They were what he needed for forgetfulness. In three days he would be free.

Suddenly the man drew up with a jerk at the top of a dark lane. Over the low roofs and jagged chimney-stacks of the houses rose the black masts of ships. Wreaths of white mist clung like ghostly sails to the yards.

"Somewhere about here, sir, ain't it?" he asked huskily through the trap.

Dorian started and peered round. "This will do," he answered,


The Picture of Dorian Gray
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Return of the Native by Thomas Hardy:

You ought to have seen me in four!"

"'Tis his mother's side where Master Clym's figure comes from, bless ye," said Timothy. "I know'd her brothers well. Longer coffins were never made in the whole country of South Wessex, and 'tis said that poor George's knees were crumpled up a little e'en as 'twas."

"Coffins, where?" inquired Christian, drawing nearer. "Have the ghost of one appeared to anybody, Master Fairway?"

"No, no. Don't let your mind so mislead your ears, Christian; and be a man," said Timothy reproachfully.

"I will." said Christian. "But now I think o't my


Return of the Native