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Today's Stichomancy for Leonardo da Vinci

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Legend of Montrose by Walter Scott:

deeply impressed with his own subjects of meditation, pays little attention to exterior objects. An air of gloomy severity, the fruit perhaps of ascetic and solitary habits, might, in a Lowlander, have been ascribed to religious fanaticism; but by that disease of the mind, then so common both in England and the Lowlands of Scotland, the Highlanders of this period were rarely infected. They had, however, their own peculiar superstitions, which overclouded the mind with thick-coming fancies, as completely as the puritanism of their neighbours.

"His lordship's honour," said the Highland servant sideling up to Lord Menteith, and speaking in a very low tone, "his lordship

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Madame Firmiani by Honore de Balzac:

I shall know what it means.

"'But I do not wish, understand me, that you should make restitution because I urge it. Consult your own conscience. An act of justice such as that ought not to be a sacrifice made to love. I am your wife and not your mistress, and it is less a question of pleasing me than of inspiring in my soul a true respect.

"'If I am mistaken, if you have ill-explained your father's action, if, in short, you still think your right to the property equitable (oh! how I long to persuade myself that you are blameless), consider and decide by listening to the voice of your conscience; act wholly and solely from yourself. A man who loves a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Court Life in China by Isaac Taylor Headland:

short-lived, for he so lacked all statesmanship as to allow the young Emperor to issue twenty-seven edicts, disposing of twenty-seven difficult problems such as I have given above in about twice that many days, and it is this hot-headed and unstatesman-like young "Confucius" who now calls Yuan Shih-kai an opportunist and a traitor because he did not enter into the following plot.

After the Emperor had dismissed two conservative vice-presidents of a Board, two governors of provinces, and a half dozen other useless conservative leaders, they plotted to overthrow him by appealing to the ambition of the Empress Dowager and induce her

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Aspern Papers by Henry James:

of an immense collective apartment, in which Piazza San Marco is the most ornamented corner and palaces and churches, for the rest, play the part of great divans of repose, tables of entertainment, expanses of decoration. And somehow the splendid common domicile, familiar, domestic, and resonant, also resembles a theater, with actors clicking over bridges and, in straggling processions, tripping along fondamentas. As you sit in your gondola the footways that in certain parts edge the canals assume to the eye the importance of a stage, meeting it at the same angle, and the Venetian figures, moving to and fro against the battered scenery of their little houses of comedy,