The first excerpt represents the past or something you must release, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton: law could not help her--her own apostasy could not help her. She
was the victim of the theories she renounced. It was as though
some giant machine of her own making had caught her up in its
wheels and was grinding her to atoms. . .
It was afternoon when she found herself out-of-doors. She walked
with an aimless haste, fearing to meet familiar faces. The day
was radiant, metallic: one of those searching American days so
calculated to reveal the shortcomings of our street-cleaning and
the excesses of our architecture. The streets looked bare and
hideous; everything stared and glittered. She called a passing
hansom, and gave Mrs. Van Sideren's address. She did not know
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from King Henry VI by William Shakespeare: EXETER.
His is the right, and therefore pardon me.
YORK.
Why whisper you, my lords, and answer not?
EXETER.
My conscience tells me he is lawful king.
KING HENRY.
[Aside.] All will revolt from me and turn to him.
NORTHUMBERLAND.
Plantagenet, for all the claim thou lay'st,
Think not that Henry shall be so depos'd.
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The third excerpt represents the future or something you must embrace, and is drawn from Pagan and Christian Creeds by Edward Carpenter: wands and torches, to the hollow sounds of the drum,
or the shrill notes of the flute, with wild dances and
insane cries and jubilation.
[1] See Frazer's Golden Bough, Part IV, p. 229.
[2] The Golden Bough, Part II, Book II, p. 164.
[3] "I am the TRUE Vine," says the Jesus of the fourth gospel,
perhaps with an implicit and hostile reference to the cult of
Dionysus--in which Robertson suggests (Christianity and
Mythology, p. 357) there was a ritual miracle of turning water
into wine.
Oxen, goats, even fawns and roes from the forest were killed,
 Pagan and Christian Creeds |