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Today's Stichomancy for Lewis Carroll

The first excerpt represents the past or something you must release, and is drawn from The Snow Image by Nathaniel Hawthorne:

was that of Lawyer Giles, as people still called him in courtesy; an elderly ragamuffin, in his soiled shirtsleeves and tow-cloth trousers. This poor fellow had been an attorney, in what he called his better days, a sharp practitioner, and in great vogue among the village litigants; but flip, and sling, and toddy, and cocktails, imbibed at all hours, morning, noon, and night, had caused him to slide from intellectual to various kinds and degrees of bodily labor, till at last, to adopt his own phrase, he slid into a soap-vat. In other words, Giles was now a soap-boiler, in a small way. He had come to be but the fragment of a human being, a part of one foot having been chopped off by


The Snow Image
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Underground City by Jules Verne:

There he would descend to the depths of the pit, if necessary, to find Harry, and with him was sure to be the engineer James Starr.

"They haven't turned up again," said he to himself. "Why? Has anything prevented them? Could any work of importance keep them still at the bottom of the mine? I must find out!" and Ryan, hastening his steps, arrived in less than an hour at the Yarrow shaft.

Externally nothing was changed. The same silence around. Not a living creature was moving in that desert region. Jack entered the ruined shed which covered the opening of the shaft. He gazed down into the dark abyss--nothing was to be seen. He listened--nothing was to be heard.

The third excerpt represents the future or something you must embrace, and is drawn from Agnes Grey by Anne Bronte:

watching them from the windows during their play; at times, he would follow them through the grounds, and too often came suddenly upon them while they were dabbling in the forbidden well, talking to the coachman in the stables, or revelling in the filth of the farm-yard - and I, meanwhile, wearily standing, by, having previously exhausted my energy in vain attempts to get them away. Often, too, he would unexpectedly pop his head into the schoolroom while the young people were at meals, and find them spilling their milk over the table and themselves, plunging their fingers into their own or each other's mugs, or quarrelling over their victuals like a set of tiger's cubs. If I were quiet at the moment, I was


Agnes Grey