Today's Stichomancy for Lewis Carroll

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twenty Years After by Alexandre Dumas:

neck in doing so."

La Ramee laughed.

"Come," he said, "'tis a warning from Heaven. Never commit such an imprudence as to try to escape, except in your dreams."

"And you are right, my dear La Ramee," said the duke, wiping away the sweat that stood on his brow, wide awake though he was; "after this I will think of nothing but eating and drinking."

"Hush!" said La Ramee; and one by one he sent away the guards, on various pretexts.

Twenty Years After

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe:

pails, cobs of corn, and other slovenly remains. Here and there, a mildewed jessamine or honeysuckle hung raggedly from some ornamental support, which had been pushed to one side by being used as a horse-post. What once was a large garden was now all grown over with weeds, through which, here and there, some solitary exotic reared its forsaken head. What had been a conservatory had now no window-shades, and on the mouldering shelves stood some dry, forsaken flower-pots, with sticks in them, whose dried leaves showed they had once been plants.

The wagon rolled up a weedy gravel walk, under a noble avenue of China trees, whose graceful forms and ever-springing foliage

Uncle Tom's Cabin

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dreams & Dust by Don Marquis:

Knee-deep!" Croaks the big bullfrog of Reelfoot Lake From his hiding-place in the draggled brake.

What is the secret the slim reeds know That makes them to shake and to shiver so, And the scared flags quiver from plume to foot?-- The frogs pipe solemnly, deep and slow: "Look under the root! Look under the root!"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Inland Voyage by Robert Louis Stevenson:

coolly, and this, which might have been a very important determination for me, had not been taken under a happy star. The tree caught me about the chest, and while I was yet struggling to make less of myself and get through, the river took the matter out of my hands, and bereaved me of my boat. The ARETHUSA swung round broadside on, leaned over, ejected so much of me as still remained on board, and thus disencumbered, whipped under the tree, righted, and went merrily away down stream.

I do not know how long it was before I scrambled on to the tree to which I was left clinging, but it was longer than I cared about. My thoughts were of a grave and almost sombre character, but I