Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Liam Neeson

The first excerpt represents the past or something you must release, and is drawn from Around the World in 80 Days by Jules Verne:

Fix, Detective.

The effect of this dispatch was instantaneous. The polished gentleman disappeared to give place to the bank robber. His photograph, which was hung with those of the rest of the members at the Reform Club, was minutely examined, and it betrayed, feature by feature, the description of the robber which had been provided to the police. The mysterious habits of Phileas Fogg were recalled; his solitary ways, his sudden departure; and it seemed clear that, in undertaking a tour round the world on the pretext of a wager, he had had no other end in view than to elude the detectives, and throw them off his track.

Chapter VI


Around the World in 80 Days
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Prince by Nicolo Machiavelli:

capable are not obedient, and each one seems to himself to know, there having never been any one so distinguished above the rest, either by valour or fortune, that others would yield to him. Hence it is that for so long a time, and during so much fighting in the past twenty years, whenever there has been an army wholly Italian, it has always given a poor account of itself; the first witness to this is Il Taro, afterwards Allesandria, Capua, Genoa, Vaila, Bologna, Mestri.[*]

[*] The battles of Il Taro, 1495; Alessandria, 1499; Capua, 1501; Genoa, 1507; Vaila, 1509; Bologna, 1511; Mestri, 1513.

If, therefore, your illustrious house wishes to follow these remarkable men who have redeemed their country, it is necessary before


The Prince
The third excerpt represents the future or something you must embrace, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs:

that the white woman, though grief-stricken, had confided to her that the baby was not hers.

Tarzan could see no reason for believing that Jane could have found it advisable to deny her identity or that of the child; the only explanation that he could put upon the matter was that, after all, the white woman who had accompanied his son and the Swede into the jungle fastness of the interior had not been Jane at all.

The more he gave thought to the problem, the more firmly convinced he became that his son was dead and his wife still safe in London, and in ignorance of the terrible fate that had


The Beasts of Tarzan