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The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from Amy Foster by Joseph Conrad: ing the way to an outhouse at a little distance from
his other farm-buildings.
"It was there that I saw him first, in a long low
room taken upon the space of that sort of coach-
house. It was bare and whitewashed, with a small
square aperture glazed with one cracked, dusty
pane at its further end. He was lying on his back
upon a straw pallet; they had given him a couple
of horse-blankets, and he seemed to have spent the
remainder of his strength in the exertion of clean-
ing himself. He was almost speechless; his quick
Amy Foster |
