Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Liam Neeson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Blix by Frank Norris:

swimming on that sheen of gold, a mere shadow, specked with lights red and green. In a few moments her bows were shut from sight by the old fort at the Gate. Then her red light vanished, then the mainmast. She was gone. By midnight she would be out of sight of land, rolling on the swell of the lonely ocean under the moon's white eye. Condy and Blix sat quiet and without speech, not caring to break the charm of the evening. For quite five minutes they sat thus, watching the stars light one by one, and the immense gray night settle and broaden and widen from mountain-top to horizon. They

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Selected Writings of Guy De Maupassant by Guy De Maupassant:

diplomatist about the beauties of nature, and about Calame, Stifter, and Turgenev, whose "Diary of a Hunter," had just become fashionable. One day a man appeared at the table d'hote, who excited unusual attention, and hers especially, so that there was nothing strange in her asking the proprietor of the hotel what his name was. She was told that he was a wealthy Brazilian, and that his name was Don Escovedo.

Whether it was an accident, or whether he responded to the interest which the young woman felt for him, at any rate she constantly met him whereever she went, whether taking a walk, or on the lake or looking at the newspapers in the reading-room. At

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In a German Pension by Katherine Mansfield:

here, take my coat. Can't you dry it somewhere?--snowing again."

"There's a warm place--the ladies' cloak-room," she said. "I'll take it in there--just by the kitchen."

She felt better, and quite happy again.

"I'll come with you," he said. "I'll see where you put it."

And that did not seem at all extraordinary. She laughed and beckoned to him.

"In here," she cried. "Feel how warm. I'll put more wood on that oven. It doesn't matter, they're all busy upstairs."

She knelt down on the floor, and thrust the wood into the oven, laughing at her own wicked extravagance.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Second Jungle Book by Rudyard Kipling:

value of it, and was seeking for a Law of his own. Then he moved on, and slept that night in an empty hut at Chota Simla, which looks like the very last end of the earth, but it was only the beginning of his journey. He followed the Himalaya-Thibet road, the little ten-foot track that is blasted out of solid rock, or strutted out on timbers over gulfs a thousand feet deep; that dips into warm, wet, shut-in valleys, and climbs out across bare, grassy hill-shoulders where the sun strikes like a burning-glass; or turns through dripping, dark forests where the tree-ferns dress the trunks from head to heel, and the pheasant calls to his mate. And he met Thibetan herdsmen with


The Second Jungle Book