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Today's Stichomancy for Liam Neeson

The first excerpt represents the past or something you must release, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

in.

Worse and worse, then; Alan must have fallen where he sat, and now sprawled brutishly, no doubt, upon the dining-room floor.

The dining-room was a very long apartment, and was reached through a passage; so that John, upon his entrance, brought but little light with him, and must move toward the windows with spread arms, groping and knocking on the furniture. Suddenly he tripped and fell his length over a prostrate body. It was what he had looked for, yet it shocked him; and he marvelled that so rough an impact should not have kicked a

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

untired brute after having just passed through a terrific battle with another of his kind would have been to tempt defeat. He must find an easier way to victory. Crouching, he prepared to meet the charge which he knew would soon come, nor did he have long to wait. His antagonist paused only for sufficient time to permit him to recount for the edification of the audience and the confounding of Korak a brief resume of his former victories, of his prowess, and of what he was about to do to this puny Tarmangani. Then he charged.

With clutching fingers and wide opened jaws he came down upon the waiting Korak with the speed of an express train.


The Son of Tarzan
The third excerpt represents the future or something you must embrace, and is drawn from Essays & Lectures by Oscar Wilde:

the 'Survival of the Fittest' explicitly set forth.

What a valuable step this was in the improvement of the method of historical criticism it is needless to point out. By it, one may say, the true thread was given to guide one's steps through the bewildering labyrinth of facts. For history (to use terms with which Aristotle has made us familiar) may be looked at from two essentially different standpoints; either as a work of art whose [Greek text which cannot be reproduced] or final cause is external to it and imposed on it from without; or as an organism containing the law of its own development in itself, and working out its perfection merely by the fact of being what it is. Now, if we