| The first excerpt represents the past or something you must release, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac: instead of three."
Etienne and Lucien betook themselves to the Quai Saint-Michel, and
found Chaboisseau in a little house with a passage entry. Chaboisseau,
a bill-discounter, whose dealings were principally with the book
trade, lived in a second-floor lodging furnished in the most eccentric
manner. A brevet-rank banker and millionaire to boot, he had a taste
for the classical style. The cornice was in the classical style; the
bedstead, in the purest classical taste, dated from the time of the
Empire, when such things were in fashion; the purple hangings fell
over the wall like the classic draperies in the background of one of
David's pictures. Chairs and tables, lamps and sconces, and every
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Seraphita by Honore de Balzac: snow.
Thus it was that no human creature gave life to the white desert where
Boreas reigned, his voice alone resounding at distant intervals. The
sky, nearly always gray, gave tones of polished steel to the ice of
the fiord. Perchance some ancient eider-duck crossed the expanse,
trusting to the warm down beneath which dream, in other lands, the
luxurious rich, little knowing of the dangers through which their
luxury has come to them. Like the Bedouin of the desert who darts
alone across the sands of Africa, the bird is neither seen nor heard;
the torpid atmosphere, deprived of its electrical conditions, echoes
neither the whirr of its wings nor its joyous notes. Besides, what
 Seraphita |
The third excerpt represents the future or something you must embrace, and is drawn from Heart of Darkness by Joseph Conrad: but at the first glance you could see there a singleness
of intention, an honest concern for the right way of going
to work, which made these humble pages, thought out so many
years ago, luminous with another than a professional light.
The simple old sailor, with his talk of chains and purchases,
made me forget the jungle and the pilgrims in a delicious
sensation of having come upon something unmistakably real.
Such a book being there was wonderful enough; but still
more astounding were the notes pencilled in the margin,
and plainly referring to the text. I couldn't believe my eyes!
They were in cipher! Yes, it looked like cipher.
 Heart of Darkness |