The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from When the World Shook by H. Rider Haggard: compared to those which he had known in the old days. Then he
departed, and I went to sleep.
Next night he appeared again, and, after talking a little on
different subjects, remarked quietly that he had been thinking
over what I had said as to his visiting the modern world, and
intended to act upon the suggestion.
"When?" I asked.
"Now," he said. "I am going to visit this England of yours and
the town you call London, and you will accompany me."
"It is not possible!" I exclaimed. "We have no ship."
"We can travel without a ship," said Oro.
When the World Shook |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Beyond Good and Evil by Friedrich Nietzsche: will say, perhaps. One must renounce the bad taste of wishing to
agree with many people. "Good" is no longer good when one's
neighbour takes it into his mouth. And how could there be a
"common good"! The expression contradicts itself; that which can
be common is always of small value. In the end things must be as
they are and have always been--the great things remain for the
great, the abysses for the profound, the delicacies and thrills
for the refined, and, to sum up shortly, everything rare for the
rare.
44. Need I say expressly after all this that they will be free,
VERY free spirits, these philosophers of the future--as certainly
Beyond Good and Evil |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Life in the Iron-Mills by Rebecca Davis: to him veiled by no sophistry, but bold, defiant, owning its own
vile name, trusting to one bold blow for victory.
He did not deceive himself. Theft! That was it. At first the
word sickened him; then he grappled with it. Sitting there on
a broken cart-wheel, the fading day, the noisy groups, the
church-bells' tolling passed before him like a panorama, while
the sharp struggle went on within. This money! He took it out,
and looked at it. If he gave it back, what then? He was going
to be cool about it.
People going by to church saw only a sickly mill-boy watching
them quietly at the alley's mouth. They did not know that he
Life in the Iron-Mills |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Garden Party by Katherine Mansfield: The hall, as always, was dusky with wraps, parasols, gloves, piled on the
oak chests. From the music-room sounded the piano, quick, loud and
impatient. Through the drawing-room door that was ajar voices floated.
"And were there ices?" came from Charlotte. Then the creak, creak of her
rocker.
"Ices!" cried Ethel. "My dear mother, you never saw such ices. Only two
kinds. And one a common little strawberry shop ice, in a sopping wet
frill."
"The food altogether was too appalling," came from Marion.
"Still, it's rather early for ices," said Charlotte easily.
"But why, if one has them at all ..." began Ethel.
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