Today's Stichomancy for Lindsay Lohan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Unsocial Socialist by George Bernard Shaw:

Fairholme, describing circles with his habitual air of compressed hardihood, stopped and stared with indignant surprise as Smilash lurched past him.

"Is that man here by your permission?" he said to Farmer Wickens, who was walking about as if superintending a harvest.

"He is here because he likes, I take it," said Wickens stubbornly. "He is a neighbor of mine and a friend of mine. Is there any objections to my having a friend on my own pond, seein' that there is nigh on two or three ton of other people's friends on it 108 without as much as a with-your-leave or a by-your- leave."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Across The Plains by Robert Louis Stevenson:

as exact as a piece of drill. The train was still moving slowly, although beginning to mend her pace, and the drunkard got his feet without a fall. He carried a red bundle, though not so red as his cheeks; and he shook this menacingly in the air with one hand, while the other stole behind him to the region of the kidneys. It was the first indication that I had come among revolvers, and I observed it with some emotion. The conductor stood on the steps with one hand on his hip, looking back at him; and perhaps this attitude imposed upon the creature, for he turned without further ado, and went off staggering along the track towards Cromwell followed by a peal of laughter from the cars. They were speaking

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Poor and Proud by Oliver Optic:

"I am glad you have."

"I went down town after I saw you, and hearing of a place in Tremont Row, I went to apply for it."

"Did you get it?"

"Not yet, but I hope to get it. They agreed to give me three dollars a week if everything proved satisfactory; but they wanted a recommendation from my last employers."

"Of course they will give you one."

"No, they would not; they were offended because I left them."

"Then you asked them?"

"Yes, I went after one this afternoon, and they would not give it

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Intentions by Oscar Wilde:

psychology. And how inadequately does he do it then, asking us to accept the torn turban of the Moor for the noble rage of Othello, or a dotard in a storm for the wild madness of Lear! Yet it seems as if nothing could stop him. Most of our elderly English painters spend their wicked and wasted lives in poaching upon the domain of the poets, marring their motives by clumsy treatment, and striving to render, by visible form or colour, the marvel of what is invisible, the splendour of what is not seen. Their pictures are, as a natural consequence, insufferably tedious. They have degraded the invisible arts into the obvious arts, and the one thing not worth looking at is the obvious. I do not say that poet and