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Today's Stichomancy for Liv Tyler

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Man of Business by Honore de Balzac:

sixty-nine, he is as methodical as a clock face. Every day at five o'clock the old gentleman goes to dine with /her/ in the Rue de la Victoire. (I am sorry for her.) Then at six o'clock, he comes here, reads steadily at the papers for four hours, and goes back at ten o'clock. Daddy Croizeau says that he knows M. Denisart's motives, and approves his conduct; and in his place, he would do the same. So I know exactly what to expect. If ever I am Mme. Croizeau, I shall have four hours to myself between six and ten o'clock.'

"Maxime looked through the directory, and found the following reassuring item:

"DENISART,* retired custom-house officer, Rue de la Victoire.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

he does is not only a reward in itself, but will be further rewarded in the sequel; and so pleasure leads on to pleasure in an endless chain. It is this that so few can understand; they will either be always lounging or always at five miles an hour; they do not play off the one against the other, prepare all day for the evening, and all evening for the next day. And, above all, it is here that your overwalker fails of comprehension. His heart rises against those who drink their curacoa in liqueur glasses, when he himself can swill it in a brown john. He will not believe that the flavour is more delicate in the smaller dose. He will not believe that to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

sluggish, faintly discernible, and leaden-hued.

Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building. Its principal feature seemed to be that of an excessive antiquity. The discoloration of ages had been great. Minute fungi overspread the whole exterior, hanging in a fine tangled web-work from the eaves. Yet all this was apart from any extraordinary dilapidation. No portion of the masonry had fallen; and there appeared to be a wild inconsistency between its still perfect adaptation of parts, and the crumbling condition of the individual stones. In this there was much that reminded me of


The Fall of the House of Usher
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

much about painting; but all were struck with the marvellous holiness of the figures. The expression of reverent humility and gentleness in the face of the Holy Mother, as she bent over the Child; the deep intelligence in the eyes of the Holy Child, as though he saw something afar; the triumphant silence of the Magi, amazed by the Divine Miracle, as they bowed at his feet: and finally, the indescribable peace which emanated from the whole picture--all this was presented with such strength and beauty, that the impression it made was magical. All the brethren threw themselves on their knees before it; and the prior, deeply affected, exclaimed, 'No, it is impossible for any artist, with the assistance only of earthly art, to produce such a


Taras Bulba and Other Tales