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Today's Stichomancy for Liv Tyler

The first excerpt represents the past or something you must release, and is drawn from The Atheist's Mass by Honore de Balzac:

because the answer is to be found at the end of the narrative, and will avenge him for some foolish charges.

Of all the students in Desplein's hospital, Horace Bianchon was one of those to whom he most warmly attached himself. Before being a house surgeon at the Hotel-Dieu, Horace Bianchon had been a medical student lodging in a squalid boarding house in the Quartier Latin, known as the Maison Vauquer. This poor young man had felt there the gnawing of that burning poverty which is a sort of crucible from which great talents are to emerge as pure and incorruptible as diamonds, which may be subjected to any shock without being crushed. In the fierce fire of their

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

the potter’s field. If, on the other hand, he could be restored, our fame would be brilliantly and perpetually established. So without delay West had injected into the body’s wrist the compound which would hold it fresh for use after my arrival. The matter of the presumably weak heart, which to my mind imperilled the success of our experiment, did not appear to trouble West extensively. He hoped at last to obtain what he had never obtained before -- a rekindled spark of reason and perhaps a normal, living creature.

So on the night of July 18, 1910, Herbert West and I stood in the cellar laboratory and gazed at a white, silent figure beneath the dazzling arc-light. The embalming compound had worked uncannily


Herbert West: Reanimator
The third excerpt represents the future or something you must embrace, and is drawn from Of The Nature of Things by Lucretius:

Nor shall one sense have power to blame itself, Because it always must be deemed the same, Worthy of equal trust. And therefore what At any time unto these senses showed, The same is true. And if the reason be Unable to unravel us the cause Why objects, which at hand were square, afar Seemed rounded, yet it more availeth us, Lacking the reason, to pretend a cause For each configuration, than to let From out our hands escape the obvious things


Of The Nature of Things