| The first excerpt represents the past or something you must release, and is drawn from The Foolish Virgin by Thomas Dixon: poured it out now, each drop a dazzling amethyst. And
even while she looked, the purple was changing to
scarlet--the amethyst into rubies!
A great awe filled her in the solemn hush. She
stood in Nature's vast cathedral, close to God's
heart--her life in harmony with His eternal laws.
How foolish and artificial were the ways of the
far-away, drab, prosaic world of clothes and houses and
furnishings! If she could only live forever in this
dream-world!
Even while the thought surged through her heart,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Animal Farm by George Orwell: they had the entire song by heart within a few minutes. And then, after a
few preliminary tries, the whole farm burst out into 'Beasts of England' in
tremendous unison. The cows lowed it, the dogs whined it, the sheep
bleated it, the horses whinnied it, the ducks quacked it. They were so
delighted with the song that they sang it right through five times in
succession, and might have continued singing it all night if they had not
been interrupted.
Unfortunately, the uproar awoke Mr. Jones, who sprang out of bed, making
sure that there was a fox in the yard. He seized the gun which always
stood in a corner of his bedroom, and let fly a charge of number 6 shot
into the darkness. The pellets buried themselves in the wall of the barn
 Animal Farm |
The third excerpt represents the future or something you must embrace, and is drawn from Sarrasine by Honore de Balzac: He found that she was very bright and quick-witted; but she was
amazingly ignorant and seemed weak and superstitious. The delicacy of
her organs was reproduced in her understanding. When Vitagliani opened
the first bottle of champagne, Sarrasine read in his neighbor's eyes a
shrinking dread of the report caused by the release of the gas. The
involuntary shudder of that thoroughly feminine temperament was
interpreted by the amorous artist as indicating extreme delicacy of
feeling. This weakness delighted the Frenchman. There is so much of
the element of protection in a man's love!
" 'You may make use of my power as a shield!'
"Is not that sentence written at the root of all declarations of love?
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