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Today's Stichomancy for Liv Tyler

The first excerpt represents the past or something you must release, and is drawn from A Legend of Montrose by Walter Scott:

hand, Argyle, whose forces had been augmented by those of several Lowland noblemen, advanced towards Montrose at the head of an army much larger than he had yet had to cope with. These troops moved, indeed, with slowness, corresponding to the cautious character of their commander; but even that caution rendered Argyle's approach formidable, since his very advance implied, that he was at the head of an army irresistibly superior

There remained one mode of retreat open to Montrose, and he adopted it. He threw himself into the Highlands, where he could set pursuit at defiance, and where he was sure, in every glen, to recover those recruits who had left his standard to deposit their

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

slave. "I shall perish," said he, "I must perish in this deplorable folly. Thus, thus, and not otherwise, shall I be lost. I dread the events of the future, not in themselves, but in their results. I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed, no abhorrence of danger, except in its absolute effect--in terror. In this unnerved--in this pitiable condition--I feel that the period will sooner or later arrive when I must abandon life and reason together, in some struggle with the grim phantasm, FEAR."

I learned, moreover, at intervals, and through broken and


The Fall of the House of Usher
The third excerpt represents the future or something you must embrace, and is drawn from The Human Drift by Jack London:

ever know. After an interval, in which I exceeded myself, he took the tiller and the sheet. I sat on the little thwart amidships, open-mouthed, prepared to learn what real sailing was. My mouth remained open, for I learned what a real sailor was in a small boat. He couldn't trim the sheet to save himself, he nearly capsized several times in squalls, and, once again, by blunderingly jibing over; he didn't know what a centre-board was for, nor did he know that in running a boat before the wind one must sit in the middle instead of on the side; and finally, when we came back to the wharf, he ran the skiff in full tilt, shattering her nose and carrying away the mast-step. And yet he