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Today's Stichomancy for Liza Minnelli

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

black eyes, so unlike the Trumbulls', that his aunt Janet was reading. He therefore expected her to pass him without recognition, and marched on kick- ing up the dust. But suddenly, as he grew nearer the spry little figure, he was aware of a pair of gray eyes, before which waved protectingly a hand clad in a black silk glove with dangling finger-tips, be- cause it was too long, and it dawned swiftly upon him that Aunt Janet was trying to shield her face from the moving column of brown motes. He stopped kicking, but it was too late. Aunt Janet

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Voyage of the Beagle by Charles Darwin:

The bizcacha [1] is well known to form a prominent feature in the zoology of the Pampas. It is found as far south as the Rio Negro, in lat. 41 degs., but not beyond. It cannot, like the agouti, subsist on the gravelly and desert plains of Patagonia, but prefers a clayey or sandy soil, which produces a different and more abundant vegetation. Near Mendoza, at the foot of the Cordillera, it occurs in close neighbourhood with the allied alpine species. It is a very curious circumstance in its geographical distribution, that it has never been seen, fortunately for the inhabitants of Banda Oriental, to the eastward of the river Uruguay: yet in this province there


The Voyage of the Beagle
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tristram Shandy by Laurence Sterne:

interrogatively in Trim's face.

I would lay my Montero-cap, said Trim--Now Trim's Montero-cap, as I once told you, was his constant wager; and having furbish'd it up that very night, in order to go upon the attack--it made the odds look more considerable--I would lay, an' please your honour, my Montero-cap to a shilling--was it proper, continued Trim (making a bow), to offer a wager before your honours--

--There is nothing improper in it, said my father--'tis a mode of expression; for in saying thou would'st lay thy Montero-cap to a shilling-- all thou meanest is this--that thou believest--

--Now, What do'st thou believe?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from La Grande Breteche by Honore de Balzac:

M.--(Dear, what am I saying? I beg your pardon, I thought I was dictating a lease.)--In short, that she burnt everything in the meadow at Merret. Have you been to Merret, monsieur?--No,' said he, answering himself, 'Ah, it is a very fine place.'

" 'For about three months previously,' he went on, with a jerk of his head, 'the Count and Countess had lived in a very eccentric way; they admitted no visitors; Madame lived on the ground-floor, and Monsieur on the first floor. When the Countess was left alone, she was never seen excepting at church. Subsequently, at home, at the chateau, she refused to see the friends, whether gentlemen or ladies, who went to call on her. She was already very much altered when she left la Grande


La Grande Breteche