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Today's Stichomancy for Liza Minnelli

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Blix by Frank Norris:

got the money to make it possible. Condy," she exclaimed suddenly, "don't you see your CHANCE? Aren't you a big enough man to see your chance when it comes? And, besides, do you think I would take MONEY from you? Can't you understand? If you don't take this money that belongs to you, you would insult me. That is just the way I would feel about it. You must see that. If you care for me at all, you'll take it." * * * * * * * * * * * * * * * * * The editor of the Sunday Supplement put his toothpick behind his

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Rig Veda:

O Indu, thou art over all. HYMN LX. Soma Pavamana.

1. SING forth and laud with sacred song most active Pavamana, laud Indu who sees with thousand eyes.

2 Thee who hast thousand eyes to see, bearer of thousand burthens, they Have filtered through the fleecy cloth.


The Rig Veda
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mirror of the Sea by Joseph Conrad:

To see! to see! - this is the craving of the sailor, as of the rest of blind humanity. To have his path made clear for him is the aspiration of every human being in our beclouded and tempestuous existence. I have heard a reserved, silent man, with no nerves to speak of, after three days of hard running in thick south-westerly weather, burst out passionately: "I wish to God we could get sight of something!"

We had just gone down below for a moment to commune in a battened- down cabin, with a large white chart lying limp and damp upon a cold and clammy table under the light of a smoky lamp. Sprawling over that seaman's silent and trusted adviser, with one elbow upon


The Mirror of the Sea
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

"But hearken to me," pleaded Henchard. "My business you know, is in corn and in hay, but I was brought up as a hay- trusser simply, and hay is what I understand best though I now do more in corn than in the other. If you'll accept the place, you shall manage the corn branch entirely, and receive a commission in addition to salary."

"You're liberal--very liberal, but no, no--I cannet!" the young man still replied, with some distress in his accents.

"So be it!" said Henchard conclusively. "Now--to change the subject--one good turn deserves another; don't stay to finish that miserable supper. Come to my house, I can find


The Mayor of Casterbridge