| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cratylus by Plato: (4) Our knowledge of language is almost confined to languages which are
fully developed. They are of several patterns; and these become altered by
admixture in various degrees,--they may only borrow a few words from one
another and retain their life comparatively unaltered, or they may meet in
a struggle for existence until one of the two is overpowered and retires
from the field. They attain the full rights and dignity of language when
they acquire the use of writing and have a literature of their own; they
pass into dialects and grow out of them, in proportion as men are isolated
or united by locality or occupation. The common language sometimes reacts
upon the dialects and imparts to them also a literary character. The laws
of language can be best discerned in the great crises of language,
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Allan Quatermain by H. Rider Haggard: rest. Before we did so, however, it occurred to Curtis to tell
old Umslopogaas to keep a look-out in the neighbourhood of Nyleptha's
private apartments. Umslopogaas was now well known about the
place, and by the Queen's order allowed to pass whither he would
by the guards, a permission of which he often availed himself
by roaming about the palace during the still hours in a nocturnal
fashion that he favoured, and which is by no means uncommon amongst
black men generally. His presence in the corridors would not,
therefore, be likely to excite remark. Without any comment the
Zulu took up his axe and departed, and we also departed to bed.
I seemed to have been asleep but a few minutes when I was awakened
 Allan Quatermain |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Z. Marcas by Honore de Balzac: the wonders wrought in reconciling adverse interests which, after
working together for a week, fell asunder; the annoyance, a thousand
times repeated, of seeing a dunce decorated with the Legion of Honor,
and preferred, though as ignorant as a shop-boy, to a man of talent.
Then, what Marcas called the stratagems of stupidity--you strike a
man, and he seems convinced, he nods his head--everything is settled;
next day, this india-rubber ball, flattened for a moment, has
recovered itself in the course of the night; it is as full of wind as
ever; you must begin all over again; and you go on till you understand
that you are not dealing with a man, but with a lump of gum that loses
shape in the sunshine.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Walking by Henry David Thoreau: relation to the deer tribe. But, alas! a sudden loud WHOA! would
have damped their ardor at once, reduced them from venison to
beef, and stiffened their sides and sinews like the locomotive.
Who but the Evil One has cried "Whoa!" to mankind? Indeed, the
life of cattle, like that of many men, is but a sort of
locomotiveness; they move a side at a time, and man, by his
machinery, is meeting the horse and the ox halfway. Whatever part
the whip has touched is thenceforth palsied. Who would ever think
of a SIDE of any of the supple cat tribe, as we speak of a SIDE
of beef?
I rejoice that horses and steers have to be broken before they
 Walking |