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Today's Stichomancy for Lizzie Borden

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The King of the Golden River by John Ruskin:

"It must be the wind," said Gluck; "nobody else would venture to knock double knocks at our door."

No, it wasn't the wind; there it came again very hard, and, what was particularly astounding, the knocker seemed to be in a hurry and not to be in the least afraid of the consequences. Gluck went to the window, opened it, and put his head out to see who it was.

It was the most extraordinary-looking little gentleman he had ever seen in his life. He had a very large nose, slightly brass- colored; his cheeks were very round and very red, and might have warranted a supposition that he had been blowing a refractory fire for the last eight-and-forty hours; his eyes twinkled merrily

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

The fellow laughed. "Do it," he cried derisively, "and then it may be that I shall believe the balance of your strange story."

"But I do not wish to kill any of them," I replied. "Why should I?"

"Why not?" he insisted. "They would have killed you when they had you prisoner. They would kill you now if they could get their hands on you, and they would eat you into the bargain. But I know why you do not try it--it is because you have spoken lies; your weapon will not kill at a great distance. It is only a queerly wrought club. For all I know, you are nothing more than a lowly Bo-lu."

"Why should you wish me to kill your own people?" I asked.


The People That Time Forgot
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Jolly Corner by Henry James:

it I feel the consonance of this term with the fact that - at the end indeed of I know not how long - he did move again, he crossed straight to the door. He wouldn't touch it - it seemed now that he might if he would: he would only just wait there a little, to show, to prove, that he wouldn't. He had thus another station, close to the thin partition by which revelation was denied him; but with his eyes bent and his hands held off in a mere intensity of stillness. He listened as if there had been something to hear, but this attitude, while it lasted, was his own communication. "If you won't then - good: I spare you and I give up. You affect me as by the appeal positively for pity: you convince me that for reasons

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Whirligigs by O. Henry:

called, and ran along the cleft a distance. "It is here," he cried, and remounting, led the way. In a few moments Armstrong, heard a sound as though a thunderous drum were beating somewhere in the dark. It was the falling of the mules' hoofs upon the bridge made of strong hides lashed to poles and stretched across the chasm. Half a mile further was Tacuzama. The village was a congre- gation of rock and mud huts set in the profundity of an obscure wood. As they rode in a sound inconsistent with that brooding solitude met their ears. From a long, low mud hut that they were nearing rose the glorious