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Today's Stichomancy for Louis Armstrong

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Voyage Out by Virginia Woolf:

could now accept anything that came to her without being perplexed by the form in which it appeared. What was there to frighten or to perplex in the prospect of life? Why should this insight ever again desert her? The world was in truth so large, so hospitable, and after all it was so simple. "Love," St. John had said, "that seems to explain it all." Yes, but it was not the love of man for woman, of Terence for Rachel. Although they sat so close together, they had ceased to be little separate bodies; they had ceased to struggle and desire one another. There seemed to be peace between them. It might be love, but it was not the love of man for woman.

Through her half-closed eyelids she watched Terence lying back

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Frances Waldeaux by Rebecca Davis:

How happy they would have been--her boy and this sweet, neat little girl! And already Lucy was curious about so-called princes!

When his Highness came back to them she rose hastily and went to her own room.

Late that night Miss Vance found her there in the dark, sitting bolt upright in her chair, still robed in velvet and lace. Clara regarded her sternly, feeling that it was time to take her in hand.

"You have not forgiven George?" she said abruptly.

Mrs. Waldeaux looked up, but said nothing.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In a German Pension by Katherine Mansfield:

beautiful."

The woman went over to the piano--stood there--striking one note--her brows drawn together. Then she shrugged her shoulders and smiled.

"I'll make a confession. Every word you have said is true. I can't help it. I can't help seeking admiration any more than a cat can help going to people to be stroked. It's my nature. I'm born out of my time. And yet, you know, I'm not a COMMON woman. I like men to adore me--to flatter me-- even to make love to me--but I would never give myself to any man. I would never let a man kiss me... even."

"It's immeasurably worse--you've no legitimate excuse. Why, even a prostitute has a greater sense of generosity!"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Montezuma's Daughter by H. Rider Haggard:

could set a score of noble houses to broil and bloodshed. But I do not speak, I am paid to keep silent; and when I am not paid, still I keep silent for my credit's sake. Hundreds of women think me their saviour, I know them for my dupes. But mark you, I do not push this game too far. A love philtre--of coloured water--I may give at a price, but not a poisoned rose. These they must seek elsewhere. For the rest, in my way I am honest. I take the world as it comes, that is all, and, as women will be fools, I profit by their folly and have grown rich upon it.

* About sixty-three pounds sterling.

'Yes, I have grown rich, and yet I cannot stop. I love the money


Montezuma's Daughter