The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mother by Owen Wister: have told you my own feeling about them before you bought any of the
stock.'"
"'I do not think you can fully have taken it in, Ethel.'"
"'I trust that it may not have fully taken you in,' she replied. 'Have
you noticed what those stocks are selling for at present?'"
"Of course I had noticed this. I had paid 63 for Standard Egg, and it was
now 48, while 11 was the price of Patent Pasteurized Feeder, for which I
had paid 20. But this, Mr. Beverly assured me, was a normal and even
healthy course for a new stock. 'Had they gone up too soon and too high,'
he explained, 'I should have suspected some crooked manipulation and
advised selling at once. But this indicates a healthy absorption
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Across The Plains by Robert Louis Stevenson: poets. "Shelley was a fine poet, sir, though a trifle atheistical
in his opinions. His Queen Mab, sir, is quite an atheistical work.
Scott, sir, is not so poetical a writer. With the works of
Shakespeare I am not so well acquainted, but he was a fine poet.
Keats - John Keats, sir - he was a very fine poet." With such
references, such trivial criticism, such loving parade of his own
knowledge, he would beguile the road, striding forward uphill, his
staff now clapped to the ribs of his deep, resonant chest, now
swinging in the air with the remembered jauntiness of the private
soldier; and all the while his toes looking out of his boots, and
his shirt looking out of his elbows, and death looking out of his
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Young Forester by Zane Grey: to be no other than the absent man I had been wondering about. He had been
dispatched to fetch the lumberman.
Buell was superbly mounted on a sleek bay, and he looked very much the same
jovial fellow I had met on the train. He grinned at the disfigured men.
"Take it from me, you fellers wouldn't look any worse bunged up if you'd
been jolted by the sawlogs in my mill."
"We can't stand here to crack jokes," said Stockton, sharply. "Some ranger
might see us. Now what?"
"You ketched the kid in time. That's all I wanted. Take him an' Leslie up in
one of the canyons an' keep them there till further orders. You needn't
stay, Stockton, after you get them in a safe place. An' you can send up
 The Young Forester |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from 20,000 Leagues Under the Sea by Jules Verne: You do not fear, I imagine, that these gentlemen could stave in
walls on which the balls of your frigate have had no effect?"
"No, Captain; but a danger still exists."
"What is that, sir?"
"It is that to-morrow, at about this hour, we must open the hatches
to renew the air of the Nautilus. Now, if, at this moment,
the Papuans should occupy the platform, I do not see how you
could prevent them from entering."
"Then, sir, you suppose that they will board us?"
"I am certain of it."
"Well, sir, let them come. I see no reason for hindering them.
 20,000 Leagues Under the Sea |