| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Door in the Wall, et. al. by H. G. Wells: and the avalanches fell; and when he maintained stoutly the world
had neither end nor roof such as they supposed, they said his
thoughts were wicked. So far as he could describe sky and clouds
and stars to them it seemed to them a hideous void, a terrible
blankness in the place of the smooth roof to things in which they
believed--it was an article of faith with them that the cavern roof
was exquisitely smooth to the touch. He saw that in some manner he
shocked them, and gave up that aspect of the matter altogether, and
tried to show them the practical value of sight. One morning he
saw Pedro in the path called Seventeen and coming towards the
central houses, but still too far off for hearing or scent, and he
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Road to Oz by L. Frank Baum: won't help us much."
"Don't be too sure of that, my dear," spoke the shaggy man, a smile
on his donkey face. "I may not be able to do magic myself, but I
can call to us a powerful friend who loves me because I own the Love
Magnet, and this friend surely will be able to help us."
"Who is your friend?" asked Dorothy.
"Johnny Dooit."
"What can Johnny do?"
"Anything," answered the shaggy man, with confidence.
"Ask him to come," she exclaimed, eagerly.
The shaggy man took the Love Magnet from his pocket and unwrapped the
The Road to Oz |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Man of Business by Honore de Balzac: suspicion of the little scamp, a thoroughbred Paris street-boy into
whom prudence had been rubbed by repeated personal experience of the
police-courts, induced his master to receive him. Can you see the man
of business, with an uneasy eye, a bald forehead, and scarcely any
hair on his head, standing in his threadbare jacket and muddy boots--"
"What a picture of a Dun!" cried Lousteau.
"--standing before the Count, that image of flaunting Debt, in his
blue flannel dressing-gown, slippers worked by some Marquise or other,
trousers of white woolen stuff, and a dazzling shirt? There he stood,
with a gorgeous cap on his black dyed hair, playing with the tassels
at his waist--"
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Call of the Wild by Jack London: they could never shake off this tireless creature that held them
back. Besides, it was not the life of the herd, or of the young
bulls, that was threatened. The life of only one member was
demanded, which was a remoter interest than their lives, and in
the end they were content to pay the toll.
As twilight fell the old bull stood with lowered head, watching
his mates--the cows he had known, the calves he had fathered, the
bulls he had mastered--as they shambled on at a rapid pace through
the fading light. He could not follow, for before his nose leaped
the merciless fanged terror that would not let him go. Three
hundredweight more than half a ton he weighed; he had lived a
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