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Today's Stichomancy for Louis B. Mayer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dust by Mr. And Mrs. Haldeman-Julius:

for his age was the physical superior of any she had ever met. He was clearly one of those whom toil did not bend, and while, she concluded further, he might be taken for all of his fifty-four years it would be simply because of his austere manner.

Martin sustained her scrutiny until they were well out of Fallon and speeding along on a good level road. Then with a teasing "turn about's fair play," he, too, took a frank look, oddly stirred by the sophisticated touches which added so subtly to her natural beauty. From her soft, thick brown hair done up cleverly in the latest mode and her narrow eyebrows arched, oh, so carefully, and penciled with such skill, to that same trim

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Far From the Madding Crowd by Thomas Hardy:

the coals for pride and vanity." said Mark Clark; "but I say, let her have rope enough. Bless her pretty face shouldn't I like to do so -- upon her cherry lips!" The gallant Mark Clark here made a peculiar and well known sound with his own. "Mark." said Gabriel, sternly, "now you mind this! none of that dalliance-talk -- that smack-and-coddle style of yours -- about Miss Everdene. I don't allow it. Do you hear? " "With all my heart, as I've got no chance." replied Mr. Clark, cordially.


Far From the Madding Crowd
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Reason Discourse by Rene Descartes:

to traveling before the winter was well ended. And, during the nine subsequent years, I did nothing but roam from one place to another, desirous of being a spectator rather than an actor in the plays exhibited on the theater of the world; and, as I made it my business in each matter to reflect particularly upon what might fairly be doubted and prove a source of error, I gradually rooted out from my mind all the errors which had hitherto crept into it. Not that in this I imitated the sceptics who doubt only that they may doubt, and seek nothing beyond uncertainty itself; for, on the contrary, my design was singly to find ground of assurance, and cast aside the loose earth and sand, that I might reach the rock or the clay. In this, as appears to me, I was successful enough;


Reason Discourse
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Protagoras by Plato:

by Plato himself. But it seems likely that the reconcilement offered by Socrates is a caricature of the methods of interpretation which were practised by the Sophists--for the following reasons: (1) The transparent irony of the previous interpretations given by Socrates. (2) The ludicrous opening of the speech in which the Lacedaemonians are described as the true philosophers, and Laconic brevity as the true form of philosophy, evidently with an allusion to Protagoras' long speeches. (3) The manifest futility and absurdity of the explanation of (Greek), which is hardly consistent with the rational interpretation of the rest of the poem. The opposition of (Greek) and (Greek) seems also intended to express the rival doctrines of Socrates and Protagoras, and is a facetious commentary on their