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Today's Stichomancy for Louis B. Mayer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Gods of Mars by Edgar Rice Burroughs:

would be executioner.

Instantly my own eyes sought the mirror upon Tars Tarkas' back and in another second I was closely watching the section of the wall which had been disgorging its savage terrors upon us.

I had not long to wait, for presently the golden surface commenced to move rapidly. Scarcely had it started than I gave the signal to Tars Tarkas, simultaneously springing for the receding half of the pivoting door. In like manner the Thark wheeled and leaped for the opening being made by the inswinging section.

A single bound carried me completely through into the


The Gods of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

"murdered her as surely as if I had cut her little throat with a knife. Yet the roses are not less lovely for all that. The birds sing just as happily in my garden. And to-night I am to dine with you, and then go on to the opera, and sup somewhere, I suppose, afterwards. How extraordinarily dramatic life is! If I had read all this in a book, Harry, I think I would have wept over it. Somehow, now that it has happened actually, and to me, it seems far too wonderful for tears. Here is the first passionate love-letter I have ever written in my life. Strange, that my first passionate love-letter should have been addressed to a dead girl. Can they feel, I wonder,


The Picture of Dorian Gray
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gorgias by Plato:

the sufferer; and he who escapes punishment, more miserable than he who suffers.--Was not that what I said?

POLUS: Yes.

SOCRATES: And it has been proved to be true?

POLUS: Certainly.

SOCRATES: Well, Polus, but if this is true, where is the great use of rhetoric? If we admit what has been just now said, every man ought in every way to guard himself against doing wrong, for he will thereby suffer great evil?

POLUS: True.

SOCRATES: And if he, or any one about whom he cares, does wrong, he ought

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Middlemarch by George Eliot:

she was somehow or other at war with all goodness. But on safe opportunities, she had an indirect mode of making her negative wisdom tell upon Dorothea, and calling her down from her rhapsodic mood by reminding her that people were staring, not listening. Celia was not impulsive: what she had to say could wait, and came from her always with the same quiet staccato evenness. When people talked with energy and emphasis she watched their faces and features merely. She never could understand how well-bred persons consented to sing and open their mouths in the ridiculous manner requisite for that vocal exercise.

It was not many days before Mr. Casaubon paid a morning visit,


Middlemarch