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Today's Stichomancy for Lucille Ball

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lair of the White Worm by Bram Stoker:

door to see if he could find anywhere a hole or a flaw in the metal through which he could obtain a glimpse. Foiled in this, he brought from the shrubbery a plank, which he leant against the top of the door and then climbed up with great dexterity. This did not bring him near enough to the window-hole to look in, or even to throw the light of the lantern through it, so he climbed down and carried the plank back to the place from which he had got it. Then he concealed himself near the iron door and waited, manifestly with the intent of remaining there till someone came near. Presently Lady Arabella, moving noiselessly through the shade, approached the door. When he saw her close enough to touch it, Oolanga stepped forward from his


Lair of the White Worm
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

he thought, how soon he 'd turn his back upon the old schoolhouse; snap his fingers in the face of Hans Van Ripper, and every other niggardly patron, and kick any itinerant pedagogue out of doors that should dare to call him comrade!

Old Baltus Van Tassel moved about among his guests with a face dilated with content and goodhumor, round and jolly as the harvest moon. His hospitable attentions were brief, but expressive, being confined to a shake of the hand, a slap on the shoulder, a loud laugh, and a pressing invitation to "fall to, and help themselves."

And now the sound of the music from the common room, or


The Legend of Sleepy Hollow
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Second Home by Honore de Balzac:

she added, throwing her arms round his neck with an artless and impassioned impulse.

"Caroline, I must go home and dress. The Marais is some way off, and I still have some business to finish."

"Take care what you are saying, monsieur," said she, interrupting him. "My mother says that when a man begins to talk about his business, he is ceasing to love."

"Caroline! Am I not here? Have I not stolen this hour from my pitiless--"

"Hush!" said she, laying a finger on his mouth. "Don't you see that I am in jest."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

another side to this, for the parent begins with an imperfect notion of the child's character, formed in early years or during the equinoctial gales of youth; to this he adheres, noting only the facts which suit with his preconception; and wherever a person fancies himself unjustly judged, he at once and finally gives up the effort to speak truth. With our chosen friends, on the other hand, and still more between lovers (for mutual understanding is love's essence), the truth is easily indicated by the one and aptly comprehended by the other. A hint taken, a look understood, conveys the gist of long and delicate explanations; and where the life is known