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Today's Stichomancy for Lucky Luciano

The first excerpt represents the past or something you must release, and is drawn from The Tanach:

Job 42: 12 So the LORD blessed the latter end of Job more than his beginning; and he had fourteen thousand sheep, and six thousand camels, and a thousand yoke of oxen, and a thousand she-asses.

Job 42: 13 He had also seven sons and three daughters.

Job 42: 14 And he called the name of the first, Jemimah; and the name of the second, Keziah; and the name of the third, Keren-happuch.

Job 42: 15 And in all the land were no women found so fair as the daughters of Job; and their father gave them inheritance among their brethren.

Job 42: 16 And after this Job lived a hundred and forty years, and saw his sons, and his sons' sons, even four generations.

Job 42: 17 So Job died, being old and full of days.

Proverbs 1: 1 THE PROVERBS of Solomon the son of David, king of Israel;

Proverbs 1: 2 To know wisdom and instruction; to comprehend the words of understanding;

Proverbs 1: 3 To receive the discipline of wisdom, justice, and right, and equity;

Proverbs 1: 4 To give prudence to the simple, to the young man knowledge and discretion;

Proverbs 1: 5 That the wise man may hear, and increase in learning, and the man of understanding may attain unto wise counsels;


The Tanach
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Lover's Complaint by William Shakespeare:

And sweetens, in the suffering pangs it bears, The aloes of all forces, shocks and fears.

'Now all these hearts that do on mine depend, Feeling it break, with bleeding groans they pine, And supplicant their sighs to your extend, To leave the battery that you make 'gainst mine, Lending soft audience to my sweet design, And credent soul to that strong-bonded oath, That shall prefer and undertake my troth.

'This said, his watery eyes he did dismount, Whose sights till then were levell'd on my face;

The third excerpt represents the future or something you must embrace, and is drawn from An Historical Mystery by Honore de Balzac:

Council of State at the critical moment and direct its action towards the restoration of the Bourbons."

"Wait," said the notary.

"Impossible! I am compelled to make my decision at once."

"Why?"

"Well, the Simeuse brothers are in the conspiracy; they are here in the neighborhood; I must either have them watched, let them compromise themselves, and so be rid of them, or else I must privately protect them. I asked the prefect for underlings and he has sent me lynxes, who came through Troyes and have got the gendarmerie to support them."

"Gondreville is your real object," said Grevin, "and this conspiracy