Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Lucy Liu

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Figure in the Carpet by Henry James:

instead of "angel"; and in the sequel my epithet seemed the more apt, for when eventually we heard from our traveller it was merely, it was thoroughly to be tantalised. He was magnificent in his triumph, he described his discovery as stupendous; but his ecstasy only obscured it - there were to be no particulars till he should have submitted his conception to the supreme authority. He had thrown up his commission, he had thrown up his book, he had thrown up everything but the instant need to hurry to Rapallo, on the Genoese shore, where Vereker was making a stay. I wrote him a letter which was to await him at Aden - I besought him to relieve my suspense. That he had found my letter was indicated by a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Modeste Mignon by Honore de Balzac:

subjects which our souls convert into tragedy or comedy according to the bent of our characters.

Madame Latournelle and Madame Dumay, who were appointed to watch Modeste, had a certain assumed stiffness of demeanor and a quiver in their voices, which the suspected party did not notice, so absorbed was she in her embroidery. Modeste laid each thread of cotton with a precision that would have made an ordinary workwoman desperate. Her face expressed the pleasure she took in the smooth petals of the flower she was working. The dwarf, seated between his mistress and Gobenheim, restrained his emotion, trying to find means to approach Modeste and whisper a word of warning in her ear.


Modeste Mignon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from My Antonia by Willa Cather:

got her stopped, he was all beat and cut to pieces. He was wedged in so tight it was a hard job to get him out, and the machine ain't never worked right since.'

`Was he clear dead, Tony?' we cried.

`Was he dead? Well, I guess so! There, now, Nina's all upset. We won't talk about it. Don't you cry, Nina. No old tramp won't get you while Tony's here.'

Mrs. Harling spoke up sternly. `Stop crying, Nina, or I'll always send you upstairs when Antonia tells us about the country. Did they never find out where he came from, Antonia?'

`Never, ma'm. He hadn't been seen nowhere except in a little town they


My Antonia
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Voice of the City by O. Henry:

deafening, soul-uplifting pageant of heroic and em- blematic life. And the beans were only ten cents. We wondered why our fellow-artists cared to dine at sad little tables in their so-called Bohemian restau- rants; and we shuddered lest they should seek out our resorts and make them conspicuous with their pres- ence.

Pettit wrote many stories, which the editors re- turned to him. He wrote love stories, a thing I have always kept free from, holding the belief that the well-known and popular sentiment is not properly a


The Voice of the City