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Today's Stichomancy for Ludwig Wittgenstein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moll Flanders by Daniel Defoe:

not in her usual place as mistress, but as if she set herself on purpose to observe me and see me work. I was doing something she had set me to; as I remember, it was marking some shirts which she had taken to make, and after a while she began to talk to me. 'Thou foolish child,' says she, 'thou art always crying (for I was crying then); 'prithee, what dost cry for?' 'Because they will take me away,' says I, 'and put me to service, and I can't work housework.' 'Well, child,' says she, 'but though you can't work housework, as you call it, you will learn it in time, and they won't put you to hard things at first.' 'Yes, they will,' says I, 'and if I can't do it they will beat me, and the


Moll Flanders
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Jolly Corner by Henry James:

He had support of course mostly in the rooms at the wide front and the prolonged side; it failed him considerably in the central shades and the parts at the back. But if he sometimes, on his rounds, was glad of his optical reach, so none the less often the rear of the house affected him as the very jungle of his prey. The place was there more subdivided; a large "extension" in particular, where small rooms for servants had been multiplied, abounded in nooks and corners, in closets and passages, in the ramifications especially of an ample back staircase over which he leaned, many a time, to look far down - not deterred from his gravity even while aware that he might, for a spectator, have figured some solemn

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Complete Angler by Izaak Walton:

small Trout, which will never thrive to be big; that breeds very many more than others do, that be of a larger size: which you may rasher believe, if you consider that the little wren end titmouse will have twenty young ones at a time, when, usually, the noble hawk, or the musical thrassel or blackbird, exceed not four or five.

And now you shall see me try my skill to catch a Trout; and at my next walking, either this evening or to-morrow morning, I will give you direction how you yourself shall fish for him.

Venator. Trust me, master, I see now it is a harder matter to catch a Trout than a Chub; for I have put on patience, and followed you these two hours, and not seen a fish stir, neither at your minnow nor your

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

looked fresh, almost wet, and the air held strongly the fragrance of Armour's north veranda. In one corner there used to be a Madonna on a carved easel; the Madonna stood on the floor, and the easel with working pegs in it held an unfinished canvas. Dora sat in the midst with a distinct flush--she was inclined to be sallow--and made me welcome in terms touched with extravagance. She did not rush, however, upon the matter that was dyeing her cheeks, and I showed myself as little impetuous. She poured out the tea, and we sat there inhaling, as it were, the aroma of the thing, while keeping it consciously in the background.

I imagine there was no moment in the time I describe when we enjoyed