The first excerpt represents the past or something you must release, and is drawn from God The Invisible King by H. G. Wells: him. But Sir Harry takes up God only to define him away into
incomprehensible necessity. Thus:
"We know absolutely nothing concerning the Force we call God; and,
assuming such an intelligent ruling force to be in existence,
permeating this universe of millions of stars and (no doubt) tens of
millions of planets, we do not know under what conditions and
limitations It works. We are quite entitled to assume that the end
of such an influence is intended to be order out of chaos, happiness
and perfection out of incompleteness and misery; and we are entitled
to identify the reactionary forces of brute Nature with the
anthropomorphic Devil of primitive religions, the power of darkness
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Eugenie Grandet by Honore de Balzac: of her mother, and there Nanon brought her breakfast. The poor girl,
sad, and suffering through the sufferings of her mother, would turn
her face to the old servant with a mute gesture, weeping, and yet not
daring to speak of her cousin. It was Madame Grandet who first found
courage to say,--
"Where is /he/? Why does /he/ not write?"
"Let us think about him, mother, but not speak of him. You are ill--
you, before all."
"All" meant "him."
"My child," said Madame Grandet, "I do not wish to live. God protects
me and enables me to look with joy to the end of my misery."
 Eugenie Grandet |
The third excerpt represents the future or something you must embrace, and is drawn from Love Songs by Sara Teasdale: And when I think of you, I am at rest.
Prefatory Note
Beside new poems, this book contains lyrics taken from "Rivers to the Sea",
"Helen of Troy and Other Poems", and one or two from an earlier volume.
Contents
I
Barter
Twilight
Night Song at Amalfi
The Look
A Winter Night
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