| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Episode Under the Terror by Honore de Balzac: she held it out, looking at it sadly but ungrudgingly, as one who
knows the full extent of the sacrifice. Hunger and penury had carved
lines as easy to read in her face as the traces of asceticism and
fear. There were vestiges of bygone splendor in her clothes. She was
dressed in threadbare silk, a neat but well-worn mantle, and daintily
mended lace,--in the rags of former grandeur, in short. The shopkeeper
and his wife, drawn two ways by pity and self-interest, began by
lulling their consciences with words.
"You seem very poorly, citoyenne----"
"Perhaps madame might like to take something," the wife broke in.
"We have some very nice broth," added the pastry-cook.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ballads by Robert Louis Stevenson: ballad. Even in a time of famine, it is probable that
Marquesan life went far more gaily than is here represented.
But the melancholy of to-day lies on the writer's mind.
TICONDEROGA
A LEGEND OF THE WEST HIGHLANDS
TICONDEROGA
THIS is the tale of the man
Who heard a word in the night
In the land of the heathery hills,
In the days of the feud and the fight.
By the sides of the rainy sea,
Ballads |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Christ in Flanders by Honore de Balzac: the bareheaded man in the brown camlet coat and trunk-hose, and plain
stiff linen collar, they noticed that he wore no ornaments, carried no
cap nor bonnet in his hand, and had neither sword nor purse at his
girdle, and one and all took him for a burgomaster sure of his
authority, a worthy and kindly burgomaster like so many a Fleming of
old times, whose homely features and characters have been immortalized
by Flemish painters. The poorer passengers, therefore, received him
with demonstrations of respect that provoked scornful tittering at the
other end of the boat. An old soldier, inured to toil and hardship,
gave up his place on the bench to the newcomer, and seated himself on
the edge of the vessel, keeping his balance by planting his feet
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Symposium by Plato: of both. But the offspring of the heavenly Aphrodite is derived from a
mother in whose birth the female has no part,--she is from the male only;
this is that love which is of youths, and the goddess being older, there is
nothing of wantonness in her. Those who are inspired by this love turn to
the male, and delight in him who is the more valiant and intelligent
nature; any one may recognise the pure enthusiasts in the very character of
their attachments. For they love not boys, but intelligent beings whose
reason is beginning to be developed, much about the time at which their
beards begin to grow. And in choosing young men to be their companions,
they mean to be faithful to them, and pass their whole life in company with
them, not to take them in their inexperience, and deceive them, and play
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