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Today's Stichomancy for M. C. Escher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson:

Till far to-morrow, fare you well!

2. Shadow March

All around the house is the jet-black night; It stares through the window-pane; It crawls in the corners, hiding from the light, And it moves with the moving flame.

Now my little heart goes a beating like a drum, With the breath of the Bogies in my hair; And all around the candle and the crooked shadows come, And go marching along up the stair.

The shadow of the balusters, the shadow of the lamp,


A Child's Garden of Verses
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

Maguntinae.

I could not help thinking of the wild ritual of this work, and of its probable influence upon the hypochondriac, when, one evening, having informed me abruptly that the lady Madeline was no more, he stated his intention of preserving her corpse for a fortnight, (previously to its final interment), in one of the numerous vaults within the main walls of the building. The worldly reason, however, assigned for this singular proceeding, was one which I did not feel at liberty to dispute. The brother had been led to his resolution (so he told me) by consideration of the unusual character of the malady of the deceased, of


The Fall of the House of Usher
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Adam Bede by George Eliot:

longer melting into vague hopes, but pressed upon by the chill of definite fear, repeating again and again the same small round of memories--shaping again and again the same childish, doubtful images of what was to come--seeing nothing in this wide world but the little history of her own pleasures and pains; with so little money in her pocket, and the way so long and difficult. Unless she could afford always to go in the coaches--and she felt sure she could not, for the journey to Stoniton was more expensive than she had expected--it was plain that she must trust to carriers' carts or slow waggons; and what a time it would be before she could get to the end of her journey! The burly old coachman from


Adam Bede
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

a rich gentleman of the steppes, an old marshal of the nobility, I was a University pupil, a graduate of the law school. I married in my thirtieth year. But before talking to you of my marriage, I must tell you how I lived formerly, and what ideas I had of conjugal life. I led the life of so many other so-called respectable people,--that is, in debauchery. And like the majority, while leading the life of a debauche, I was convinced that I was a man of irreproachable morality.

"The idea that I had of my morality arose from the fact that in my family there was no knowledge of those special debaucheries, so common in the surroundings of land-owners, and also from the


The Kreutzer Sonata