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Today's Stichomancy for M. C. Escher

The first excerpt represents the past or something you must release, and is drawn from Little Britain by Washington Irving:

man of no little standing and importance; and his renown extends through Huggin Lane, and Lad Lane, and even unto Aldermanbury. His opinion is very much taken in affairs of state, having read the Sunday papers for the last half century, together with the "Gentleman's Magazine," Rapin's "History of England," and the "Naval Chronicle." His head is stored with invaluable maxims which have borne the test of time and use for centuries. It is his firm opinion that "it is a moral impossible," so long as England is true to herself, that anything can shake her; and he has much to say on the subject of the national debt, which, somehow or other, he proves to be a

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Plutarch's Lives by A. H. Clough:

assailants; but do come now to force away wives from their husbands and mothers from their children, a succor more grievous to its wretched objects than the former betrayal and neglect of them. Which shall we call the worst, their love-making or your compassion? If you were making war upon any other occasion, for our sakes you ought to withhold your hands from those to whom we have made you fathers-in-law and grandsires. If it be for our own cause, then take us, and with us your sons-in-law and grandchildren. Restore to us our parents and kindred, but do not rob us of our children and husbands. Make us not, we entreat you, twice captives." Hersilia having spoken many such words as these, and the others earnestly praying, a truce was made, and the chief

The third excerpt represents the future or something you must embrace, and is drawn from A Tramp Abroad by Mark Twain:

A painting in the dining-hall verged upon the indelicate-- but then the Margravine was herself a trifle indelicate.

It is in every way a wildly and picturesquely decorated house, and brimful of interest as a reflection of the character and tastes of that rude bygone time.

In the grounds, a few rods from the palace, stands the Margravine's chapel, just as she left it--a coarse wooden structure, wholly barren of ornament. It is said that the Margravine would give herself up to debauchery and exceedingly fast living for several months at a time, and then retire to this miserable wooden den and spend