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Today's Stichomancy for Madonna

The first excerpt represents the past or something you must release, and is drawn from Philosophy 4 by Owen Wister:

the direction of Quincy, and in one respect it resembled a ghost: you never saw a man who had seen it himself; it was always his cousin, or his elder brother in '79. But for the successful explorer a dinner and wines were waiting at the Bird-in-Hand more delicious than anything outside of Paradise. You will realize, therefore, what a thing it was to have a room-mate who had attained. If Billy had not been so dog-tired last night, he would have sat up and made John tell him everything from beginning to end.

"Soft-shell crabs, broiled live lobster, salmon, grass-plover, dough-birds, and rum omelette," he was now reciting to Bertie.

"They say the rum there is old Jamaica brought in slave-ships," said

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Marvelous Land of Oz by L. Frank Baum:

well.

"We are lost!" said the Scarecrow, dolefully. "The Gump must have carried us entirely out of the Land of Oz and over the sandy deserts and into the terrible outside world that Dorothy told us about."

"We must get back," exclaimed the Tin Woodman, earnestly. "we must get back as soon as possible!"

"Turn around!" cried Tip to the Gump. "turn as quickly as you can!"

"If I do I shall upset," answered the Gump. "I'm not at all used to flying, and the best plan would be for me to alight in some place, and then I can turn around and take a fresh start."

Just then, however, there seemed to be no stopping-place that would answer


The Marvelous Land of Oz
The third excerpt represents the future or something you must embrace, and is drawn from The Case of the Golden Bullet by Grace Isabel Colbron and Augusta Groner:

wife. Otherwise the dainty little villa, built in the fashionable Nuremberg style, with heavy wooden doors and lozenged-paned windows, had no occupants except Professor Fellner and his servant. With its graceful outlines and well-planned garden, the dwelling had a most attractive appearance. Opposite it was the broad avenue known as the Promenade, and beyond this were open fields. To the right and to the left were similar villas in their gardens.

Dummel opened the door and the three men entered the house. The commissioner and the valet went in first, Muller following them more slowly. His sharp eyes glanced quickly over the coloured tiles of the flooring, over the white steps and the carpeted hallway beyond.