| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tapestried Chamber by Walter Scott: afford the best copies for the painter's art. But although SICUT
PICTURA POESIS is an ancient and undisputed axiom--although
poetry and painting both address themselves to the same object of
exciting the human imagination, by presenting to it pleasing or
sublime images of ideal scenes--yet the one conveying itself
through the ears to the understanding, and the other applying
itself only to the eyes, the subjects which are best suited to
the bard or tale-teller are often totally unfit for painting,
where the artist must present in a single glance all that his art
has power to tell us. The artist can neither recapitulate the
past nor intimate the future. The single NOW is all which he can
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Two Poets by Honore de Balzac: circulation among the Angouleme nobility, every narrator having
followed Stanislas' example. Women and men were alike impatient to
know the truth; and the women who put their hands before their faces
and shrieked the loudest were none other than Mesdames Amelie,
Zephirine, Fifine, and Lolotte, all with more or less heavy
indictments of illicit love laid to their charge. There were
variations in every key upon the painful theme.
"Well, well," said one of the ladies, "poor Nais! have you heard about
it? I do not believe it myself; she has a whole blameless record
behind her; she is far too proud to be anything but a patroness to M.
Chardon. Still, if it is true, I pity her with all my heart."
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