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Today's Stichomancy for Madonna

The first excerpt represents the past or something you must release, and is drawn from Frances Waldeaux by Rebecca Davis:

to the paper anonymously, signed `Sidney.' Oh, it was long--long ago! I've been dumb, as you might say, for years. But when I read your article, George--do you know if I had written it I should have used just the phrases you did? And you signed it `Sidney'!" She watched him breathlessly. "That was more than a coincidence, don't you think? I AM dumb, but you speak for me now. It is because we are just one. Don't you think so, George?" She held his arm tightly.

Young Waldeaux burst into a loud laugh. Then he took her hand in his, stroking it. "You dear little woman! What

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Divine Comedy (translated by Henry Wadsworth Longfellow) by Dante Alighieri:

That startled Neptune with the shade of Argo!

My mind in this wise wholly in suspense, Steadfast, immovable, attentive gazed, And evermore with gazing grew enkindled.

In presence of that light one such becomes, That to withdraw therefrom for other prospect It is impossible he e'er consent;

Because the good, which object is of will, Is gathered all in this, and out of it That is defective which is perfect there.

Shorter henceforward will my language fall


The Divine Comedy (translated by Henry Wadsworth Longfellow)
The third excerpt represents the future or something you must embrace, and is drawn from Gobseck by Honore de Balzac:

Ernest, who sat at the foot of his bed gazing at his father with wistful eyes.

" 'Are you in pain?' the little Vicomte asked.

" 'No,' said the Count, with a ghastly smile, 'it all lies HERE AND ABOUT MY HEART!'

"He pointed to his forehead, and then laid his wasted fingers on his hollow chest. Ernest began to cry at the sight.

" 'How is it that M. Derville does not come to me?' the Count asked his servant (he thought that Maurice was really attached to him, but the man was entirely in the Countess' interest)--'What! Maurice!' and the dying man suddenly sat upright in his bed, and seemed to recover


Gobseck