The first excerpt represents the past or something you must release, and is drawn from Unconscious Comedians by Honore de Balzac: and set up a shop (I use your slang). This man of genius,--he now has
an income of twenty-four thousand francs a year, and lives, retired
from business, at Libourne,--well, he saw that so vulgar and ignoble a
name as Cabot could never attain celebrity. Monsieur de Parny, whose
hair he cut, gave him the name of Marius, infinitely superior, you
perceive, to the Christian names of Armand and Hippolyte, behind which
patronymics attacked by the Cabot evil are wont to hide. All the
successors of Cabot have called themselves Marius. The present Marius
is Marius V.; his real name is Mongin. This occurs in various other
trades; for 'Botot water,' and for 'Little-Virtue' ink. Names become
commercial property in Paris, and have ended by constituting a sort of
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from 1492 by Mary Johntson: Cadiz--the _Santa Marta_ came to Cadiz. Before us had
arrived Bobadilla's ships, one, two and three. What he found
to say through his messengers of the Admiral and Viceroy
was in the hands and eyes and ears of all. He said at the
height of his voice, across the ocean from Hispaniola, violent
and villainous things.
Cadiz--Spain. We crowded to look.. Down plunged
anchor, down rattled sails, around us came the boats. The
Admiral and the Adelantado rested in chains. The corregidor
of Cadiz took them both thus ashore and to a house
where they were kept, until the Sovereigns should say,
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The third excerpt represents the future or something you must embrace, and is drawn from Love Songs by Sara Teasdale: One diamond morning white with sun.
But I will turn my eyes from you
As women turn to put away
The jewels they have worn at night
And cannot wear in sober day.
II
Interlude: Songs out of Sorrow
I. Spirit's House
From naked stones of agony
I will build a house for me;
As a mason all alone
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