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Today's Stichomancy for Mao Zedong

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

cries of "Hush!" The galleries even silenced the claqueurs when they led off with exaggerated salvos. Martainville applauded bravely; Nathan, Merlin, and the treacherous Florine followed his example; but it was clear that the piece was a failure. A crowd gathered in Coralie's dressing-room and consoled her, till she had no courage left. She went home in despair, less for her own sake than for Lucien's.

"Braulard has betrayed us," Lucien said.

Coralie was heartstricken. The next day found her in a high fever, utterly unfit to play, face to face with the thought that she had been cut short in her career. Lucien hid the papers from her, and looked

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Collection of Antiquities by Honore de Balzac:

passport or no passport, as well as a further promise to keep the hurried departure a secret. Luckily, the coach was empty when it arrived.

In the middle of the following night Chesnel was set down in Paris. At nine o'clock in the morning he waited on the Kellers, and learned that the fatal draft had returned to du Croisier three days since; but while obtaining this information, he in no way committed himself. Before he went away he inquired whether the draft could be recovered if the amount were refunded. Francois Keller's answer was to the effect that the document was du Croisier's property, and that it was entirely in his power to keep or return it. Then, in desperation, the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Seraphita by Honore de Balzac:

name he bore.

"At nine years of age the child began to pray; prayer is her life. You saw her in the church at Christmas, the only day on which she comes there; she is separated from the other worshippers by a visible space. If that space does not exist between herself and men she suffers. That is why she passes nearly all her time alone in the chateau. The events of her life are unknown; she is seldom seen; her days are spent in the state of mystical contemplation which was, so Catholic writers tell us, habitual with the early Christian solitaries, in whom the oral tradition of Christ's own words still remained. Her mind, her soul, her body, all within her is virgin as the snow on those mountains. At


Seraphita
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Somebody's Little Girl by Martha Young:

Sister Angela said: ``Bessie Bell was written on her little white night-gown, done in linen thread.''

And Sister Angela said: ``Yes, we have always kept the little white night-gown.''

And one of the pretty grown-up people said: ``Yes, that was right. Always to keep the little white night-gown.''

And the other grown-up person said: ``And how comes that to be all that you know?''

Sister Angela said: ``Because of the fever.''

And the pretty one said: ``The dreadful fever!''

Sister Angela said: ``Yes. The dreadful fever. It often leaves