| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Duchess of Padua by Oscar Wilde: Cathedral door; at the foot of the steps are two large stone lions;
the houses on each aide of the stage have coloured awnings from
their windows, and are flanked by stone arcades; on the right of
the stage is the public fountain, with a triton in green bronze
blowing from a conch; around the fountain is a stone seat; the bell
of the Cathedral is ringing, and the citizens, men, women and
children, are passing into the Cathedral.
[Enter GUIDO FERRANTI and ASCANIO CRISTOFANO.]
ASCANIO
Now by my life, Guido, I will go no farther; for if I walk another
step I will have no life left to swear by; this wild-goose errand
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Around the World in 80 Days by Jules Verne: Chapter XIII
IN WHICH PASSEPARTOUT RECEIVES A NEW PROOF
THAT FORTUNE FAVORS THE BRAVE
The project was a bold one, full of difficulty, perhaps impracticable.
Mr. Fogg was going to risk life, or at least liberty, and therefore
the success of his tour. But he did not hesitate, and he found in
Sir Francis Cromarty an enthusiastic ally.
As for Passepartout, he was ready for anything that might be proposed.
His master's idea charmed him; he perceived a heart, a soul, under that
icy exterior. He began to love Phileas Fogg.
There remained the guide: what course would he adopt? Would he
Around the World in 80 Days |
