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Today's Stichomancy for Margaret Thatcher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Human Drift by Jack London:

evolutions remains, but the concrete results are never twice alike. Man was not; he was; and again he will not be. In eternity which is beyond our comprehension, the particular evolution of that solar satellite we call the "Earth" occupied but a slight fraction of time. And of that fraction of time man occupies but a small portion. All the whole human drift, from the first ape-man to the last savant, is but a phantom, a flash of light and a flutter of movement across the infinite face of the starry night.

When the thermometer drops, man ceases--with all his lusts and wrestlings and achievements; with all his race-adventures and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Jungle Book by Rudyard Kipling:

for Akela and for me."

Then he pressed his face close to the window and watched the fire on the hearth. He saw the husbandman's wife get up and feed it in the night with black lumps. And when the morning came and the mists were all white and cold, he saw the man's child pick up a wicker pot plastered inside with earth, fill it with lumps of red-hot charcoal, put it under his blanket, and go out to tend the cows in the byre.

"Is that all?" said Mowgli. "If a cub can do it, there is nothing to fear." So he strode round the corner and met the boy, took the pot from his hand, and disappeared into the mist while


The Jungle Book
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phaedo by Plato:

being was crying against them, and that for thirty thousand years they were to be 'fugitives and vagabonds upon the earth.' The desire of recognizing a lost mother or love or friend in the world below (Phaedo) was a natural feeling which, in that age as well as in every other, has given distinctness to the hope of immortality. Nor were ethical considerations wanting, partly derived from the necessity of punishing the greater sort of criminals, whom no avenging power of this world could reach. The voice of conscience, too, was heard reminding the good man that he was not altogether innocent. (Republic.) To these indistinct longings and fears an expression was given in the mysteries and Orphic poets: a 'heap of books' (Republic), passing under the names of Musaeus and Orpheus in

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lay Morals by Robert Louis Stevenson:

famine. So much, in other men's affairs, we have begun to see clearly; we have begun to despair of virtue in these other men, and from our seat in Parliament begin to discharge upon them, thick as arrows, the host of our inspectors. The landlord has long shaken his head over the manufacturer; those who do business on land have lost all trust in the virtues of the shipowner; the professions look askance upon the retail traders and have even started their co-operative stores to ruin them; and from out the smoke-wreaths of Birmingham a finger has begun to write upon the wall the condemnation of the landlord. Thus, piece by piece, do we