| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Animal Farm by George Orwell: the orchard as a home of rest for animals who were past work, there was a
stormy debate over the correct retiring age for each class of animal. The
Meeting always ended with the singing of 'Beasts of England', and the
afternoon was given up to recreation.
The pigs had set aside the harness-room as a headquarters for themselves.
Here, in the evenings, they studied blacksmithing, carpentering, and other
necessary arts from books which they had brought out of the farmhouse.
Snowball also busied himself with organising the other animals into what
he called Animal Committees. He was indefatigable at this. He formed the
Egg Production Committee for the hens, the Clean Tails League for the
cows, the Wild Comrades' Re-education Committee (the object of this was to
 Animal Farm |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Origin of Species by Charles Darwin: reputed species range on an average over 6.9 of the provinces into which
Mr. Watson has divided Great Britain. Now, in this same catalogue, 53
acknowledged varieties are recorded, and these range over 7.7 provinces;
whereas, the species to which these varieties belong range over 14.3
provinces. So that the acknowledged varieties have very nearly the same
restricted average range, as have those very closely allied forms, marked
for me by Mr. Watson as doubtful species, but which are almost universally
ranked by British botanists as good and true species.
Finally, then, varieties have the same general characters as species, for
they cannot be distinguished from species,--except, firstly, by the
discovery of intermediate linking forms, and the occurrence of such links
 On the Origin of Species |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Magic of Oz by L. Frank Baum: secret, and I won't let you."
The eyes of the other eagle flashed angrily, but Ruggedo did not
dare insist. If he offended this boy, he might have to remain an
eagle always and he wouldn't like that. Some day he hoped to be able
to learn the secret word of the magical transformations, but just now
he must let Kiki have his own way.
"All right," he said gruffly; "do as you please."
So Kiki flew to a tree that was far enough distant so that Ruggedo
could not overhear him and said: "I want Ruggedo, the Nome, and myself
to have the heads of lions, the bodies of monkeys, the wings of eagles
and the tails of wild asses, with knobs of gold on the ends of them
 The Magic of Oz |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Mother by Owen Wister: it were, with the naked eye. That was my bequest from Uncle Godfrey, and
I felt myself to be the possessor of a fortune."
At this point in Richard's narrative, a sigh escaped from Ethel.
"I know," he immediately said, "that money is always welcome. But it is
certainly some consolation to reflect how slight a loss a million dollars
is counted to-day in New York. And I did not lose all of it."
"I met Ethel at the train on her return from Florida, and crossed with
her on the ferry from Jersey City to Desbrosses Street. There I was
obliged to see her drive away in the carriage with her father."
"Mr. Field," said Mrs. Davenport, "what hour did that train arrive at
Jersey City?"
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